{"id":3056,"date":"2024-06-19T14:11:00","date_gmt":"2024-06-19T14:11:00","guid":{"rendered":"https:\/\/soundimageculture.org\/film\/the-sound-of-normalisation\/"},"modified":"2024-06-19T13:59:28","modified_gmt":"2024-06-19T13:59:28","slug":"the-sound-of-normalisation","status":"publish","type":"film","link":"https:\/\/soundimageculture.org\/fr\/film\/the-sound-of-normalisation\/","title":{"rendered":"THE SOUND OF NORMALIZATION"},"content":{"rendered":"\n

The Sound of Normalisation<\/h1>\n\n\n\n

de Davide Tidoni<\/h2>\n\n\n

Synopsis<\/h2>

Le projet THE SOUND OF NORMALIZATION est une collection d’enregistrements audio qui documente la culture sonore du groupe Ultras BRESCIA 1911 en relation avec le football moderne et la vague de mesures r\u00e9pressives visant les groupes de supporters organis\u00e9s. Les enregistrements ont \u00e9t\u00e9 r\u00e9alis\u00e9s sur une p\u00e9riode de 15 ans et couvrent :
\n1) la cr\u00e9ation, les usages et les significations des chants
\n2) les principes de groupe et l’identit\u00e9 collective
\n3) la participation du public et le processus d’exclusion sociale du stade
\n4) la r\u00e9pression polici\u00e8re et la politique implications des chants
\n5) l’\u00e9volution des tambours par rapport \u00e0 l’ordonnance d’interdiction des tambours de 2007.<\/p>\n

Chaque enregistrement est accompagn\u00e9 d’un court texte d’introduction et est pr\u00e9sent\u00e9 sous forme de vid\u00e9o sous-titr\u00e9e. Les travaux ont \u00e9t\u00e9 publi\u00e9s en 2018 par SARU, Oxford Brookes University.<\/p>\n<\/div><\/section>\n\n

Plus d’information<\/h2>

2018\/1h07’\/SIC)
\nLivre + DVD (vid\u00e9o)<\/p>\n

Vid\u00e9o en entier: https:\/\/vimeo.com\/141341567<\/a><\/p>\n

Site web: http:\/\/www.davidetidoni.name\/the-sound-of-normalization\/<\/a><\/p>\n<\/div><\/section>\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

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