{"id":7633,"date":"2024-12-18T14:58:36","date_gmt":"2024-12-18T14:58:36","guid":{"rendered":"https:\/\/soundimageculture.org\/film\/we-are-not-born-man\/"},"modified":"2026-03-23T09:39:01","modified_gmt":"2026-03-23T09:39:01","slug":"reparing-men","status":"publish","type":"film","link":"https:\/\/soundimageculture.org\/fr\/film\/reparing-men\/","title":{"rendered":"R\u00e9parer les hommes\u00a0"},"content":{"rendered":"\n

R\u00e9parer les hommes\u00a0<\/strong><\/strong><\/h1>\n\n\n\n

de Manuel Hanot<\/strong><\/h2>\n\n\n

synopsis<\/h2>

Il y a deux ans Laurent, je t’ai rencontr\u00e9 dans un cercle de paroles d’hommes. Tu passes tes journ\u00e9es \u00e0 isoler des toitures dans la poussi\u00e8re, que faisais-tu \u00e0 Bruxelles \u00e0 questionner ta masculinit\u00e9\u00a0? Une conversation intime s’est ouverte en nous. Nos vingt ans d’\u00e9cart n’y changent rien\u00a0: le souffle f\u00e9ministe d’aujourd’hui nous a bouscul\u00e9 tous les deux. Alors comment inventer de nouvelles mani\u00e8res d’\u00eatre homme\u00a0?<\/p>\n<\/div><\/section>\n\n

biographie<\/h2>

Manuel a \u00e9tudi\u00e9 le cin\u00e9ma et la r\u00e9alisation \u00e0 l’\u00e9cole Agn\u00e8s Varda \u00e0 Bruxelles. Ses premiers projets ont un rapport fort avec l’\u00e8re sociale. Il a r\u00e9alis\u00e9 un journal t\u00e9l\u00e9vis\u00e9 avec des personnes sans permis de s\u00e9jour pendant un an, qu’ils ont pr\u00e9sent\u00e9. Il a \u00e9galement r\u00e9alis\u00e9 deux documentaires sur la violence et l’espoir dans la jungle de Calais (Dead-end of the far world, 6 min , 2016) ou dans la ZAD de Notre-dame des Landes (hommage \u00e0 la ZAD, 20 min, 2018). Son film de fin d’\u00e9tudes est une fiction sur l’\u00e9mancipation du travail par la col\u00e8re (En Roues libres, 20 min, 2020). Il r\u00e9alise plusieurs films pour le CVB, dont le dernier est un portrait d’une association qui lutte contre la pr\u00e9carit\u00e9 du logement (Les villes succombent aussi, 50 min, 2022). \u00ab We are not Born Men \u00bb est un projet tr\u00e8s personnel sur le genre et l’\u00e9poque.\u00a0<\/span><\/p>\n

manuelhanot.com<\/a><\/p>\n<\/div><\/section>","protected":false},"excerpt":{"rendered":"

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