{"id":9996,"date":"2026-03-03T10:23:21","date_gmt":"2026-03-03T10:23:21","guid":{"rendered":"https:\/\/soundimageculture.org\/film\/point-a\/"},"modified":"2026-05-20T07:19:51","modified_gmt":"2026-05-20T07:19:51","slug":"point-a","status":"publish","type":"film","link":"https:\/\/soundimageculture.org\/fr\/film\/point-a\/","title":{"rendered":"Point A"},"content":{"rendered":"\n

Point A<\/strong>
Christiana Cheiranagnostaki<\/h2>\n\n\n

synopsis<\/h2>

Point A<\/em> explore la mani\u00e8re dont notre d\u00e9pendance au GPS et aux syst\u00e8mes de navigation num\u00e9rique r\u00e9v\u00e8le une \u00e9rosion plus large de l\u2019attention, de la confiance et des savoirs incarn\u00e9s.<\/p>\n

Autrefois, s\u2019orienter relevait de la perception, de la m\u00e9moire et de l\u2019intuition. Aujourd\u2019hui, cette fonction est progressivement d\u00e9l\u00e9gu\u00e9e aux algorithmes, nous \u00e9loignant de l\u2019exp\u00e9rience sensorielle et de notre conscience de l\u2019espace. Cette transformation r\u00e9duit notre capacit\u00e9 d\u2019attention, remplace la confiance en soi par une d\u00e9pendance \u00e0 des syst\u00e8mes opaques et affaiblit notre relation corporelle au monde.<\/p>\n

En envisageant la navigation comme une pratique de pr\u00e9sence, de confiance et de connexion, le film nous rappelle la n\u00e9cessit\u00e9 de nous autoriser \u00e0 nous perdre.<\/p>\n<\/div><\/section>\n\n\n

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Biographie<\/h2>

Christiana Cheiranagnostaki<\/span><\/span> est une cin\u00e9aste bas\u00e9e \u00e0 Ath\u00e8nes qui travaille depuis de nombreuses ann\u00e9es, en tant que productrice, sur des enjeux sociaux tels que la crise des r\u00e9fugi\u00e9s syriens et la crise \u00e9conomique grecque. Parmi ses projets notables figurent le documentaire interactif The Beggar<\/em> ainsi que les courts m\u00e9trages The Day Humans Left<\/em> et June Notes<\/em>.<\/p>\n

Son court m\u00e9trage Here Again<\/em> a \u00e9t\u00e9 pr\u00e9sent\u00e9 au festival documentaire In Situ Realities Eleusis Documentary Festival<\/em>, tandis que son travail plus r\u00e9cent, Throughs and Throughs<\/em>, a \u00e9t\u00e9 montr\u00e9 au Goethe-Institut de Dublin ainsi qu\u2019au Crespo Haus de Francfort. Son premier long m\u00e9trage documentaire, Dear Future<\/em>, a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re au 28e Festival international du documentaire de Thessalonique, o\u00f9 il a remport\u00e9 le Golden Alexander dans la comp\u00e9tition Film Forward<\/em>.<\/p>\n<\/div><\/section>","protected":false},"excerpt":{"rendered":"

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