{"id":10834,"date":"2026-09-10T13:21:09","date_gmt":"2026-09-10T13:21:09","guid":{"rendered":"https:\/\/soundimageculture.org\/sic-2027\/"},"modified":"2026-09-15T09:48:29","modified_gmt":"2026-09-15T09:48:29","slug":"sic-2027","status":"publish","type":"page","link":"https:\/\/soundimageculture.org\/fr\/sic-2027\/","title":{"rendered":"2027"},"content":{"rendered":"<section id=\"sic-regular-text-block_bab3b94ea9918c1793aa3a36e006d435\" class=\"sic-regular-text single-column\"><h2 class=\"section-title page-title\">Invit\u00e9s confirm\u00e9s<\/h2><\/section>\n\n\n<h1 class=\"wp-block-heading\">James Newitt \u2013 f\u00e9vrier 2027<\/h1>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/04\/Newitt_James.png\" alt=\"\" class=\"wp-image-5300\" srcset=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/04\/Newitt_James.png 1000w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/04\/Newitt_James-300x169.png 300w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/04\/Newitt_James-768x432.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-1&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-1-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-1\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">James Newitt | Biographie<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-1\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-1-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>James Newitt<\/strong>\u00a0(n\u00e9 en 1981 \u00e0 Hobart, en Tasmanie) est un artiste visuel et cin\u00e9aste australien bas\u00e9 \u00e0 Lisbonne. Sa pratique, fond\u00e9e sur la recherche, associe investigation historique, engagement avec le public et observation des dynamiques sociales. Travaillant \u00e0 travers le film, la photographie, le texte et l\u2019installation, il explore les relations entre les individus, les territoires et les r\u00e9cits collectifs. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans de nombreuses institutions et dans des festivals internationaux en Europe, en Australie et en Asie. Au cours de sa carri\u00e8re, il a b\u00e9n\u00e9fici\u00e9 de nombreuses r\u00e9sidences, bourses et r\u00e9compenses.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:22px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Maryam Tafakory \u2013 f\u00e9vrier 2027<\/h1>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Maryam-Tafakory-1024x575.jpg\" alt=\"\" class=\"wp-image-10772\" srcset=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Maryam-Tafakory-1024x575.jpg 1024w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Maryam-Tafakory-300x168.jpg 300w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Maryam-Tafakory-768x431.jpg 768w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Maryam-Tafakory-1536x862.jpg 1536w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Maryam-Tafakory-1200x674.jpg 1200w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Maryam-Tafakory.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-2&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-2-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-2\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Maryam Tafakory | Biographie<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-2\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-2-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Maryam Tafakory<\/strong>, n\u00e9e et \u00e9lev\u00e9e en Iran, est une artiste visuelle dont le travail prend la forme de collages textuels et filmiques m\u00ealant po\u00e9sie, non-fiction sp\u00e9culative et mat\u00e9riaux d\u2019archives. En explorant les diff\u00e9rents registres \u00e0 travers lesquels les images parlent ou refusent de parler, son travail cherche \u00e0 mettre au jour des formes d\u2019effacement dissimul\u00e9es &#8211; des corps, des intimit\u00e9s et des histoires. Ses projets de recherche s\u2019int\u00e9ressent \u00e0 ce qui est souvent n\u00e9glig\u00e9 et consid\u00e9r\u00e9 comme trivial ou excessif. Elle a d\u00e9velopp\u00e9 un ensemble de films, de performances et d\u2019essais vid\u00e9o en dialogue avec le cin\u00e9ma iranien post-r\u00e9volutionnaire.<br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Carine Doumit \u2013 avril 2027<\/h1>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Carine-Doumit-1024x576.jpg\" alt=\"\" class=\"wp-image-10776\" srcset=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Carine-Doumit-1024x576.jpg 1024w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Carine-Doumit-300x169.jpg 300w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Carine-Doumit-768x432.jpg 768w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Carine-Doumit-1536x864.jpg 1536w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Carine-Doumit-1200x675.jpg 1200w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Carine-Doumit.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-3&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-3-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-3\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Carine Doumit | Biographie<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-3\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-3-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Carine Doumit<\/strong>\u00a0est monteuse, autrice et consultante artistique bas\u00e9e \u00e0 Beyrouth. Son travail se situe \u00e0 l\u2019intersection du montage et de l\u2019\u00e9criture et s\u2019\u00e9tend aux longs m\u00e9trages documentaires, aux essais filmiques, aux vid\u00e9os exp\u00e9rimentales, aux installations et aux performances. Elle collabore r\u00e9guli\u00e8rement avec des cin\u00e9astes et des artistes au d\u00e9veloppement et \u00e0 la structuration de leurs projets. Enseignante au d\u00e9partement audiovisuel de la Saint Joseph University depuis 2007, elle intervient \u00e9galement dans de nombreux ateliers et programmes de formation destin\u00e9s aux cin\u00e9astes \u00e9mergents. Son travail explore les relations entre narration, m\u00e9moire et forme cin\u00e9matographique.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Victoire Karera Kampire \u2013 avril 2027<\/h1>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Victoire-Karera-Kampire-1024x576.jpg\" alt=\"\" class=\"wp-image-10780\" srcset=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Victoire-Karera-Kampire-1024x576.jpg 1024w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Victoire-Karera-Kampire-300x169.jpg 300w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Victoire-Karera-Kampire-768x432.jpg 768w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Victoire-Karera-Kampire-1536x864.jpg 1536w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Victoire-Karera-Kampire-1200x675.jpg 1200w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Victoire-Karera-Kampire.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-4&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-4-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-4\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Victoire Karera Kampire | Biographie<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-4\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-4-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Victoire Karera Kampire<\/strong>\u00a0(n\u00e9e en 1990) est une cin\u00e9aste et artiste sonore belgo-rwandaise. Elle est titulaire d\u2019un master en New Media and Society de la Vrije Universiteit Brussel et est dipl\u00f4m\u00e9e de LUCA School of Arts. Elle d\u00e9veloppe une pratique situ\u00e9e \u00e0 l\u2019intersection du documentaire, de la fiction et de l\u2019exp\u00e9rimentation. Ses films explorent la m\u00e9moire, l\u2019absence et les traces invisibles laiss\u00e9es par l\u2019histoire, \u00e0 travers des archives r\u00e9invent\u00e9es et des pr\u00e9sences fantomatiques. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans diff\u00e9rents contextes artistiques et cin\u00e9matographiques en Belgique et \u00e0 l\u2019international.<br><br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Carlos Casas \u2013 juin 2027<\/h1>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/09\/Carlos-Casas-2-1024x576.jpg\" alt=\"\" class=\"wp-image-4479\" srcset=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/09\/Carlos-Casas-2-1024x576.jpg 1024w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/09\/Carlos-Casas-2-300x169.jpg 300w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/09\/Carlos-Casas-2-768x432.jpg 768w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/09\/Carlos-Casas-2-1536x864.jpg 1536w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/09\/Carlos-Casas-2-1200x675.jpg 1200w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/09\/Carlos-Casas-2.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-5&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-5-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-5\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Carlos Casa | Biographie<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-5\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-5-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Carlos Casas<\/strong>\u00a0(n\u00e9 en 1974 \u00e0 Barcelone) est artiste et cin\u00e9aste. Sa pratique englobe le cin\u00e9ma, le son et les arts visuels. Form\u00e9 aux beaux-arts, au cin\u00e9ma et au design \u00e0 Barcelone et \u00e0 Vienne, il d\u00e9veloppe depuis plus de vingt ans des projets \u00e0 la crois\u00e9e du documentaire, de l\u2019installation et de l\u2019exp\u00e9rimentation audiovisuelle. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans de grandes institutions, notamment \u00e0 la Tate Modern, au Centre Pompidou, au Palais de Tokyo, \u00e0 la Fondation Cartier et \u00e0 Bozar, ainsi que dans de nombreux festivals internationaux, parmi lesquels Venise, Rotterdam, FIDMarseille et CPH. Son travail explore fr\u00e9quemment les territoires extr\u00eames, les paysages sonores et les relations entre les \u00eatres humains et leur environnement.<br><br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Beny Wagner \u2013 juin 2027<\/h1>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/Beny-Wagner_-1024x577.png\" alt=\"\" class=\"wp-image-7972\" srcset=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/Beny-Wagner_-1024x577.png 1024w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/Beny-Wagner_-300x169.png 300w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/Beny-Wagner_-768x433.png 768w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/Beny-Wagner_.png 1181w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-6&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-6-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-6\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Beny Wagner | Biographie<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-6\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-6-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Beny Wagner<\/strong>\u00a0(n\u00e9 en 1985 \u00e0 Berlin) est artiste, cin\u00e9aste, auteur et chercheur, bas\u00e9 au Royaume-Uni. Travaillant \u00e0 travers le film, le texte, l\u2019installation et les conf\u00e9rences perform\u00e9es, il construit des r\u00e9cits non lin\u00e9aires qui interrogent les limites de la perception humaine, du corps et des syst\u00e8mes de connaissance. Depuis plusieurs ann\u00e9es, il collabore \u00e9troitement avec l\u2019artiste et cin\u00e9aste Sasha Litvintseva. Leur travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans de nombreux festivals et institutions internationaux, notamment \u00e0 la Berlinale, au International Film Festival Rotterdam, au Museum of the Moving Image \u00e0 New York, \u00e0 Transmediale et sur Criterion Channel.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Nicol\u00e1s Pereda \u2013 septembre 2027<\/h1>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Nicolas-Pereda-1024x577.jpg\" alt=\"\" class=\"wp-image-10784\" srcset=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Nicolas-Pereda-1024x577.jpg 1024w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Nicolas-Pereda-300x169.jpg 300w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Nicolas-Pereda-768x432.jpg 768w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Nicolas-Pereda-1536x865.jpg 1536w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Nicolas-Pereda-1200x676.jpg 1200w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/Nicolas-Pereda.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-7&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-7-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-7\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Nicol\u00e1s Pereda | Biographie<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-7\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-7-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Nicol\u00e1s Pereda<\/strong>\u00a0(n\u00e9 en 1982 \u00e0 Mexico) est un cin\u00e9aste mexicano-canadien dont le travail brouille les fronti\u00e8res entre fiction et documentaire. Dipl\u00f4m\u00e9 de York University \u00e0 Toronto, il d\u00e9veloppe depuis pr\u00e8s de vingt ans une \u0153uvre minimaliste et singuli\u00e8re, attentive aux r\u00e9alit\u00e9s sociales, aux relations familiales et aux structures de classe au Mexique. Ses films ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans de grands festivals internationaux, notamment \u00e0 Venise, Berlin, Rotterdam et Toronto. Son travail se caract\u00e9rise par des r\u00e9cits fragment\u00e9s, un humour discret et une attention particuli\u00e8re port\u00e9e aux gestes du quotidien.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Monahad Yaqubi \u2013 septembre 2027<\/h1>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/MohanadYaqubi-1024x576.jpg\" alt=\"\" class=\"wp-image-10788\" srcset=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/MohanadYaqubi-1024x576.jpg 1024w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/MohanadYaqubi-300x169.jpg 300w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/MohanadYaqubi-768x432.jpg 768w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/MohanadYaqubi-1536x864.jpg 1536w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/MohanadYaqubi-1200x675.jpg 1200w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/MohanadYaqubi.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-8&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-8-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-8\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mohanad Yaqubi | Biographie<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-8\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-8-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Mohanad Yaqubi<\/strong>&nbsp;(n\u00e9 en 1981 au Kowe\u00eft) est cin\u00e9aste, producteur, chercheur et programmateur palestinien. En 2004, il a cofond\u00e9 \u00e0 Ramallah la soci\u00e9t\u00e9 de production ind\u00e9pendante Idioms Film. Il est \u00e9galement membre fondateur du collectif de programmation Subversive Film et du Palestine Film Institute, deux initiatives d\u00e9di\u00e9es \u00e0 la pr\u00e9servation, \u00e0 la recherche et \u00e0 la diffusion du patrimoine cin\u00e9matographique palestinien. Son travail explore les relations entre cin\u00e9ma, m\u00e9moire, archives et luttes anticoloniales, avec un int\u00e9r\u00eat particulier pour les pratiques de cin\u00e9ma militant et les r\u00e9seaux transnationaux de solidarit\u00e9. Depuis 2017, il est chercheur et enseignant au KASK School of Arts \u00e0 Gand, o\u00f9 il m\u00e8ne des recherches sur l\u2019esth\u00e9tique des cin\u00e9mas de solidarit\u00e9 politique.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Son premier long m\u00e9trage,&nbsp;<em>Off Frame AKA Revolution Until Victory<\/em>&nbsp;(2016), une r\u00e9flexion sur les archives du cin\u00e9ma r\u00e9volutionnaire palestinien, a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans de nombreux festivals internationaux, notamment au Toronto International Film Festival, \u00e0 la Berlinale et \u00e0 Cin\u00e9ma du R\u00e9el. Son deuxi\u00e8me long m\u00e9trage,&nbsp;<em>R21 AKA Restoring Solidarity<\/em>&nbsp;(2022), poursuit cette exploration des archives et des histoires de solidarit\u00e9 internationale \u00e0 travers une collection de films palestiniens conserv\u00e9e au Japon. Ses \u0153uvres ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans des institutions et festivals tels que documenta fifteen, IDFA, le Marrakech International Film Festival et True\/False.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c0 travers ses films, ses recherches et son travail de programmation, Mohanad Yaqubi contribue \u00e0 rendre visibles des images, des r\u00e9cits et des histoires souvent marginalis\u00e9s, tout en interrogeant le r\u00f4le du cin\u00e9ma comme outil de r\u00e9sistance, de transmission et de m\u00e9moire collective.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Reem Shilleh \u2013 septembre 2027<\/h1>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"900\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/reem-shilleh.jpg\" alt=\"\" class=\"wp-image-10795\" srcset=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/reem-shilleh.jpg 1600w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/reem-shilleh-300x169.jpg 300w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/reem-shilleh-1024x576.jpg 1024w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/reem-shilleh-768x432.jpg 768w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/reem-shilleh-1536x864.jpg 1536w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/09\/reem-shilleh-1200x675.jpg 1200w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-9&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-9-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-9\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Reem Shilleh | Biographie<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-9\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-9-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Reem Shilleh<\/strong>&nbsp;est chercheuse, curatrice, monteuse, autrice et artiste, bas\u00e9e entre Bruxelles et Ramallah. Son travail s\u2019appuie sur des recherches au long cours consacr\u00e9es aux pratiques cin\u00e9matographiques militantes et r\u00e9volutionnaires en Palestine, dans sa diaspora et au sein de ses r\u00e9seaux internationaux de solidarit\u00e9. \u00c0 travers le cin\u00e9ma, les archives, l\u2019\u00e9criture, le montage et la recherche curatoriale, elle explore les relations entre m\u00e9moire collective, histoire politique et circulation des images.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Au c\u0153ur de sa pratique se trouve la notion d\u2019\u00ab archive imparfaite \u00bb (<em>imperfect archive<\/em>) : une conception de l\u2019archive comme processus vivant plut\u00f4t que comme institution fig\u00e9e. Ses recherches portent notamment sur les films produits pendant la p\u00e9riode de la R\u00e9volution palestinienne (1968\u20131982), ainsi que sur les mani\u00e8res dont ces images, souvent marginalis\u00e9es ou oubli\u00e9es, continuent d\u2019agir sur le pr\u00e9sent. Son travail explore ainsi les formes de transmission, de disparition et de r\u00e9activation des m\u00e9moires collectives.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En 2011, elle a cofond\u00e9 avec Mohanad Yaqubi le collectif de recherche et de programmation cin\u00e9matographique Subversive Film, bas\u00e9 entre Ramallah et Bruxelles. \u00c0 travers cette plateforme, elle contribue \u00e0 la restauration, \u00e0 la num\u00e9risation, au sous-titrage et \u00e0 la diffusion d\u2019\u0153uvres historiques li\u00e9es \u00e0 la Palestine et aux mouvements internationaux de lib\u00e9ration. Les projets de Subversive Film ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans de nombreuses institutions et manifestations internationales, notamment \u00e0 la Berlinale, \u00e0 documenta fifteen, \u00e0 la Sharjah Biennial, au Yamagata Film Festival et \u00e0 Doc\u2019s Kingdom.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Parmi ses projets r\u00e9cents figurent&nbsp;<em>The Space Between: The Invocation<\/em>&nbsp;(2019),&nbsp;<em>Desires into Fossils: Monuments Without a State<\/em>&nbsp;(2017) et&nbsp;<em>Perpetual Recurrences<\/em>&nbsp;(2016), un travail de montage qui revisite plusieurs d\u00e9cennies de cin\u00e9ma palestinien \u00e0 travers ses motifs r\u00e9currents. Elle est \u00e9galement cofondatrice de The Kitchen, un espace bruxellois consacr\u00e9 \u00e0 la recherche, au travail collectif et \u00e0 l\u2019exp\u00e9rimentation artistique.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Ya\u00ebl Bitton \u2013 novembre 2027<\/h1>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/10\/Yael_Bitton-1024x576.jpg\" alt=\"\" class=\"wp-image-6746\" srcset=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/10\/Yael_Bitton-1024x576.jpg 1024w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/10\/Yael_Bitton-300x169.jpg 300w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/10\/Yael_Bitton-768x432.jpg 768w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/10\/Yael_Bitton-1536x864.jpg 1536w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/10\/Yael_Bitton-1200x675.jpg 1200w, https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/10\/Yael_Bitton.jpg 1932w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-10&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right has-medium-font-size\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-10-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-10\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Ya\u00ebl Bitton | Biographie<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-10\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-10-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Ya\u00ebl Bitton<\/strong>\u00a0est monteuse, cin\u00e9aste et consultante artistique franco-suisse, travaillant entre la France, la Suisse et l\u2019international. Depuis plus de vingt ans, elle accompagne des cin\u00e9astes du monde entier dans la structuration et l\u2019\u00e9criture de documentaires de cr\u00e9ation et d\u2019essais filmiques, dont plusieurs ont re\u00e7u des prix dans de grands festivals tels qu\u2019IDFA, Sundance, Locarno et la Berlinale. Collaboratrice artistique tr\u00e8s sollicit\u00e9e, elle intervient r\u00e9guli\u00e8rement comme experte et tutrice dans des programmes de d\u00e9veloppement prestigieux tels qu\u2019Eurodoc, le Master Doc Nomads et le Circle Women Doc Accelerator. Sa pratique du montage place au c\u0153ur de son approche p\u00e9dagogique et artistique les questions d\u2019\u00e9thique, de juste distance avec les protagonistes et de transformation des r\u00e9cits intimes en propositions \u00e0 port\u00e9e universelle.<br><br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>James Newitt \u2013 f\u00e9vrier 2027 Maryam Tafakory \u2013 f\u00e9vrier 2027 Carine Doumit \u2013 avril 2027 Victoire Karera Kampire \u2013 avril 2027 Carlos Casas \u2013 juin 2027 Beny Wagner \u2013 juin 2027 Nicol\u00e1s Pereda \u2013 septembre 2027 Monahad Yaqubi \u2013 septembre 2027 Reem Shilleh \u2013 septembre 2027 Ya\u00ebl Bitton \u2013 novembre 2027<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-10834","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2027 &#8211; Sound Image Culture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soundimageculture.org\/fr\/sic-2027\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2027 &#8211; Sound Image Culture\" \/>\n<meta property=\"og:description\" content=\"James Newitt \u2013 f\u00e9vrier 2027 Maryam Tafakory \u2013 f\u00e9vrier 2027 Carine Doumit \u2013 avril 2027 Victoire Karera Kampire \u2013 avril 2027 Carlos Casas \u2013 juin 2027 Beny Wagner \u2013 juin 2027 Nicol\u00e1s Pereda \u2013 septembre 2027 Monahad Yaqubi \u2013 septembre 2027 Reem Shilleh \u2013 septembre 2027 Ya\u00ebl Bitton \u2013 novembre 2027\" \/>\n<meta property=\"og:url\" content=\"https:\/\/soundimageculture.org\/fr\/sic-2027\/\" \/>\n<meta property=\"og:site_name\" content=\"Sound Image Culture\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-15T09:48:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/04\/Newitt_James.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"563\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/soundimageculture.org\/fr\/sic-2027\/\",\"url\":\"https:\/\/soundimageculture.org\/fr\/sic-2027\/\",\"name\":\"2027 &#8211; 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