{"id":11123,"date":"2026-10-12T14:55:50","date_gmt":"2026-10-12T14:55:50","guid":{"rendered":"https:\/\/soundimageculture.org\/collective-session-november-2026\/"},"modified":"2026-10-15T15:25:25","modified_gmt":"2026-10-15T15:25:25","slug":"collective-session-november-2026","status":"publish","type":"post","link":"https:\/\/soundimageculture.org\/fr\/collective-session-november-2026\/","title":{"rendered":"Session Collective novembre 2026"},"content":{"rendered":"\n

2\u20146 NOVEMBRE 2026
AVEC SASHA LITVINTSEVA
\u00e0 l’Escale du Nord (Anderlecht)<\/h1>\n\n\n

A propos de Sasha Litvintseva<\/h2>

Sasha Litvintseva est artiste, cin\u00e9aste et autrice. Elle a r\u00e9alis\u00e9 ou cor\u00e9alis\u00e9 douze courts et moyens m\u00e9trages, dont une r\u00e9cente trilogie con\u00e7ue avec Beny Wagner, son collaborateur de longue date. Ses films ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans de nombreux festivals internationaux, notamment \u00e0 la Berlinale, \u00e0 l\u2019IFFR Rotterdam et \u00e0 Cin\u00e9ma du R\u00e9el, et ont remport\u00e9 plusieurs prix, entre autres \u00e0 IndieLisboa, au Festival international du film de Guanajuato et \u00e0 CPH.<\/p>\n

Son travail a \u00e9galement \u00e9t\u00e9 expos\u00e9 dans de grandes institutions artistiques, telles que la Tate Modern, la Triennale de la Baltique et la Biennale Mediacity de S\u00e9oul. Plus de quinze lieux \u00e0 travers le monde lui ont consacr\u00e9 des programmes sp\u00e9ciaux ou des r\u00e9trospectives, parmi lesquels le festival Courtisane, UnionDocs \u00e0 New York et Los Angeles Filmforum. Ses films ont par ailleurs fait l\u2019objet d\u2019articles dans des revues telles que Cahiers du cin\u00e9ma<\/em>, Sight & Sound<\/em> et Filmmaker Magazine<\/em>.<\/p>\n

Dipl\u00f4m\u00e9e en beaux-arts de la Slade School of Fine Art, elle est \u00e9galement titulaire d\u2019un doctorat en m\u00e9dias, communication et \u00e9tudes culturelles de Goldsmiths, University of London. Elle enseigne aujourd\u2019hui la r\u00e9alisation cin\u00e9matographique \u00e0 Queen Mary University of London.<\/p>\n<\/div><\/section>\n\n

Lundi 2 & mardi 3 novembre 2026 (9:30\u201418:30)<\/h2>
\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/10\/CS-SIC.jpg\"<\/div>

Session collective de retours sur les projets
\nProjets en cours des participant.es de SIC
\n\u00c0 l\u2019Escale du Nord, Anderlecht<\/p>\n

Deux journ\u00e9es d\u2019\u00e9changes et de r\u00e9flexions collectives autour des projets en cours des participant.es de SIC. L\u2019occasion de croiser les regards, de partager des perspectives et d\u2019accompagner chaque cin\u00e9aste dans son processus de cr\u00e9ation.<\/p>\n

En pr\u00e9sence de Sasha Litvintseva<\/strong><\/p>\n

Entr\u00e9e gratuite, sur inscription (voir les informations pratiques ci-dessous).<\/em><\/p>\n<\/div><\/div><\/section>\n\n

mercredi 4 novembre (10:00\u201417:00)<\/h2>
\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/10\/Athanasius-Kirchers-Magic-Lantern.jpg\"<\/div>

Masterclass de Sasha Litvintseva
\nCinema and the Unseen<\/strong>
\n\u00c0 l\u2019Escale du Nord, Anderlecht<\/p>\n

Il existe plusieurs fa\u00e7ons d\u2019envisager l\u2019invisible. Il y a d\u2019abord ce qui est trop petit, trop \u00e9loign\u00e9, trop vaste ou trop rapide pour \u00eatre per\u00e7u \u00e0 l\u2019\u0153il nu, mais que l\u2019invention et l\u2019\u00e9volution des dispositifs optiques ont progressivement rendu accessible \u00e0 notre regard.<\/p>\n

Il y a aussi un autre invisible, celui de l\u2019au-del\u00e0 et du surnaturel : fant\u00f4mes, esprits, ombres et autres pr\u00e9sences spectrales qui hantent nos corps et les espaces que nous habitons.<\/p>\n

Au cours de cette masterclass, nous explorerons les liens profonds et indissociables que le cin\u00e9ma entretient avec ces deux formes d\u2019invisible, et la mani\u00e8re dont les images en mouvement nous permettent de percevoir ce qui \u00e9chappe habituellement \u00e0 notre regard.<\/p>\n

Plus d\u2019informations<\/a><\/p>\n

 <\/p>\n<\/div><\/div><\/section>\n\n

mercredi 4 novembre (19:00)<\/h2>
\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/10\/Les-recommencements-Isabelle-Ingold-Vivianne-Perelmuter_4.jpg\"<\/div>

Projection suivie d\u2019une rencontre :
\nNew Beginnings (Les Recommencements)<\/strong>
\nde Vivianne Perelmuter et Isabelle Ingold
\n\u00c0 Cin\u00e9Flagey (billetterie via Flagey)<\/p>\n

En pr\u00e9sence des r\u00e9alisatrices<\/strong><\/p>\n

Al Moon, v\u00e9t\u00e9ran de la guerre du Vietnam, vit seul sur les terres de sa communaut\u00e9 autochtone, dans le nord de la Californie. Alors que la violence et la destruction de l\u2019environnement menacent la r\u00e9serve, d\u2019anciennes angoisses refont surface. Al d\u00e9cide de prendre la route pour affronter les fant\u00f4mes de son pass\u00e9 et renouer avec ses anciens compagnons de bataillon.<\/p>\n

Au fil de ses rencontres se dessine le portrait d\u2019un pays profond\u00e9ment divis\u00e9, aux prises avec ses propres blessures, qui font \u00e9cho aux tourments int\u00e9rieurs d\u2019Al. \u00ab Le pass\u00e9 s\u2019accroche \u00e0 nous, surtout lorsqu\u2019on tente de le fuir \u00bb, confie-t-il. Plut\u00f4t que de continuer \u00e0 lui \u00e9chapper, Al choisit de lui faire face, dans l\u2019espoir de pouvoir enfin envisager d\u2019autres possibles.<\/p>\n

Le film a remport\u00e9 le Grand Prix de la derni\u00e8re \u00e9dition du Festival En Ville !<\/p>\n

R\u00e9servez vos places directement aupr\u00e8s de Flagey.<\/strong><\/p>\n<\/div><\/div><\/section>\n\n

jeudi 5 novembre (10:00-13:00)<\/h2>
\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/09\/Karina-Beumer_web-2000x1230.jpg\"<\/div>

Atelier autour de la production cin\u00e9matographique<\/strong>
\navec Javier Packer Comyn (directeur du CBA)
\n\u00c0 l\u2019Escale du Nord, Anderlecht<\/p>\n

Que signifie produire un film ind\u00e9pendant aujourd\u2019hui ? Quelles sont les r\u00e9alit\u00e9s du m\u00e9tier de producteur ? Comment choisir la bonne personne pour accompagner son projet, n\u00e9gocier un contrat \u00e9quitable et d\u00e9finir une juste r\u00e9partition des revenus ? \u00c0 quel moment faut-il signer, et sur quels points est-il important de n\u00e9gocier ?<\/p>\n

Au-del\u00e0 des questions financi\u00e8res et contractuelles, comment construire une relation de confiance entre cin\u00e9aste et producteur, pr\u00e9server sa libert\u00e9 artistique et \u00e9viter les tensions qui peuvent surgir au fil d\u2019une collaboration ?<\/p>\n

\u00c0 travers un partage d\u2019exp\u00e9riences et une discussion ouverte, Javier Packer Comyn propose d\u2019explorer les enjeux artistiques, humains et \u00e9conomiques de cette relation essentielle, et de r\u00e9fl\u00e9chir \u00e0 la mani\u00e8re dont cin\u00e9astes et producteurs peuvent travailler ensemble pour donner naissance \u00e0 des films singuliers.<\/p>\n

Entr\u00e9e gratuite, sur inscription (voir les informations pratiques ci-dessous).<\/em><\/p>\n<\/div><\/div><\/section>\n\n

jeudi 5 novembre (14:00-17:00)<\/h2>
\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/10\/word-movie.webp\"<\/div>

Atelier de Jan De Coster
\nReading Images
\nQuand les mots entrent dans l\u2019image<\/strong>
\n\u00c0 l\u2019Escale du Nord, Anderlecht<\/p>\n

Anim\u00e9 par Jan De Coster, monteur et accompagnateur au sein de SIC, cet atelier explore les multiples fa\u00e7ons dont l\u2019\u00e9crit s\u2019invite \u00e0 l\u2019\u00e9cran : des sous-titres et intertitres aux mots qui apparaissent au c\u0153ur m\u00eame des images.<\/p>\n

\u00c0 travers une s\u00e9lection d\u2019extraits de films, nous nous int\u00e9resserons \u00e0 la mani\u00e8re dont le texte dialogue avec les images en mouvement, perturbe notre regard et transforme notre exp\u00e9rience du cin\u00e9ma.<\/p>\n

Plus d\u2019informations<\/a><\/p>\n

 <\/p>\n<\/div><\/div><\/section>\n\n

vendredi 6 novembre (19:00)<\/h2>
\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/10\/Mea-Culpa.jpg\"<\/div>

Projection suivie d\u2019une rencontre :
\nMea Culpa<\/strong>
\nde Patrick Tass
\n\u00c0 l\u2019Escale du Nord, Anderlecht<\/p>\n

En pr\u00e9sence du r\u00e9alisateur<\/strong><\/p>\n

Les mensonges et la culpabilit\u00e9 sont au c\u0153ur de la relation entre Patrick et sa m\u00e8re, Randa. Au fil des ann\u00e9es, Patrick a conserv\u00e9 leurs messages vocaux et leurs appels vid\u00e9o. \u00c0 partir de ces \u00e9changes, il compose un portrait crois\u00e9 de leurs vies : celle de sa m\u00e8re au Liban et la sienne en Belgique.<\/p>\n

\u00c0 la fois intime et profond\u00e9ment ancr\u00e9 dans des r\u00e9alit\u00e9s sociales, le film d\u00e9voile une relation complexe, marqu\u00e9e par la distance g\u00e9ographique et affective, tout en explorant l\u2019exp\u00e9rience de l\u2019exil et de l\u2019homosexualit\u00e9.<\/p>\n

Tour \u00e0 tour \u00e9mouvant, provocateur et hilarant, Mea Culpa<\/em> interroge les liens entre identit\u00e9 nationale, identit\u00e9 sexuelle et appartenance, \u00e0 travers le regard d\u2019un jeune migrant palestinien.<\/p>\n

Entr\u00e9e gratuite, sur inscription (voir les informations pratiques ci-dessous).<\/em><\/p>\n<\/div><\/div><\/section>\n\n

Informations pratiques<\/h2>

Dates :<\/strong> du lundi 2 au vendredi 6 novembre 2026
\nHoraires :<\/strong> selon les \u00e9v\u00e9nements (voir ci-dessus)
\nLieu :<\/strong> L\u2019Escale du Nord, avenue de Scheut 147, 1070 Anderlecht<\/p>\n

Entr\u00e9e gratuite*, sur inscription uniquement (places limit\u00e9es).<\/strong><\/p>\n

Pour participer \u00e0 l\u2019un de nos \u00e9v\u00e9nements, merci de vous inscrire par e-mail \u00e0 l\u2019adresse soundimageculture@gmail.com<\/a>.<\/p>\n

 <\/p>\n

*\u00e0 l’exception de la projection de LES RECOMMENCEMENTS (4\/11, Flagey)<\/p>\n<\/div><\/section>","protected":false},"excerpt":{"rendered":"

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