{"id":8072,"date":"2025-03-05T13:09:46","date_gmt":"2025-03-05T13:09:46","guid":{"rendered":"https:\/\/soundimageculture.org\/collective-session-april-2025\/"},"modified":"2025-04-10T15:35:38","modified_gmt":"2025-04-10T15:35:38","slug":"collective-session-april-2025","status":"publish","type":"post","link":"https:\/\/soundimageculture.org\/fr\/collective-session-april-2025\/","title":{"rendered":"Session Collective avril 2025"},"content":{"rendered":"\n

Session Collective
22\u201425 avril 2025
avec Sasha Litvintseva et Beny Wagner<\/h2>\n\n\n\n
<\/div>\n\n\n

Programme<\/h2>

Mardi 22 + mercredi 23 avril | 9:30-18:30 | \u00e0 Argos (Bruxelles)
\nJourn\u00e9es de feedback – Works in Progress – Participant.e.s SIC 2025
\nLes journ\u00e9es de feedback sont ouvertes \u00e0 un nombre tr\u00e8s limit\u00e9 de visiteur.e.s externes (sur r\u00e9servation uniquement – voir ci-dessous).<\/p>\n

Mercredi 23 avril | 20:30 | \u00e0 CineFlagey
\nFuga : Projection (espagnol – STT fran\u00e7ais\/n\u00e9erlandais) + rencontre
\nEn pr\u00e9sence des r\u00e9alisatrices Mary Jim\u00e9nez et B\u00e9n\u00e9dicte Lienard
\nPlus d’informations<\/em><\/a><\/p>\n

Jeudi 24 avril | 10:00-17:00 | \u00e0 Pianofabriek
\nMasterclass – Sasha Litvintseva et Beny Wagner
\nPlus d’informations \u00e0 venir<\/p>\n

Vendredi 25 avril | 10:00-13:00 | \u00e0 Pianofabriek
\nEtude de cas – George van Dam & Manon De Boer: Presto, Perfect Sound<\/em> + sequenza<\/em>
\nPlus d’informations prochainement<\/p>\n

Vendredi 25 avril | 14:00-18:00 | \u00e0 Pianofabriek
\nEtude de cas – Francisco Rodriguez : Otro Sol
\nPlus d’informations<\/a><\/em><\/p>\n<\/div><\/section>\n\n

A propos de Sasha Litvintseva<\/h2>

Sasha Litivintseva est une artiste, cin\u00e9aste et \u00e9crivaine, bas\u00e9e \u00e0 Londres. Depuis 2018, une grande partie de son travail est produite dans le contexte de la collaboration en cours avec Beny Wagner.<\/p>\n

Ses films ont \u00e9t\u00e9 projet\u00e9s dans des festivals de cin\u00e9ma du monde entier, notamment \u00e0 la Berlinale, au Festival international du film de Rotterdam, \u00e0 CPH:DOX, au Cinema Du Reel, aux RIDM Montr\u00e9al, \u00e0 Punto De Vista, au Festival Du Nouveau Cinema, au Festival international du film d’\u00c9dimbourg, au Festival du film de Vancouver, \u00e0 Open City Docs, au Festival international du film de Camden, \u00e0 Olhar de Cinema, au Festival du film de Vilnius et au Festival du court m\u00e9trage d’Aesthetica, parmi beaucoup d’autres.<\/p>\n

Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans des institutions artistiques majeures telles que la Tate Modern, la Baltic Triennial, la Seoul Mediacity Biennale, le Museum of the Moving Image New York, TIVA Taipei, l’ICA London, le CCA Glasgow, le FRAC Ile-de-France, le Wexner Center for the Arts, le Warsaw Museum of Modern Art, le Mumok Vienna, Videobrasil et Transmediale, entre autres. Il a fait l’objet de projections sp\u00e9ciales et r\u00e9trospectives dans plus de quinze lieux \u00e0 travers le monde, dont le festival Courtisane, Union Docs NY, LA Filmforum et la salle de projection e-flux.<\/p>\n

Ses films ont remport\u00e9 de nombreux prix internationaux, notamment le prix Sylvestre du meilleur court m\u00e9trage \u00e0 IndieLisboa, le prix du meilleur court m\u00e9trage documentaire au festival du film de Guanajuato, une mention sp\u00e9ciale \u00e0 CPH:DOX, une mention sp\u00e9ciale \u00e0 EXiS S\u00e9oul, la deuxi\u00e8me place au Deutscher Kurzfilmpreis (\u00e9quivalent des BAFTA) et a \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour les Oscars. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans des publications telles que les Cahiers du cin\u00e9ma, Sight & Sound, Frieze, Senses of Cinema, Filmmaker Magazine, entre autres. Ses films sont distribu\u00e9s par Square Eyes et Criterion Channel.<\/p>\n

Sasha est titulaire d’une licence en beaux-arts de la Slade School of Art et d’un doctorat en m\u00e9dias, communications et \u00e9tudes culturelles de Goldsmiths. Elle est ma\u00eetre de conf\u00e9rences en cin\u00e9ma \u00e0 l’universit\u00e9 Queen Mary de Londres et laur\u00e9ate du prix Philip Leverhulme en 2024. Elle est l’auteur de Geological Filmmaking (Open Humanities Press, 2022) et co-auteur, avec Beny Wagner, de All Thoughts Fly : Monster, Taxonomy, Film (Sonic Acts Press, 2021). Ses \u00e9crits ont \u00e9galement \u00e9t\u00e9 publi\u00e9s dans des livres et des revues, notamment e-flux et Environmental Humanities.<\/p>\n

https:\/\/www.sashalitvintseva.com\/<\/a><\/p>\n<\/div><\/section>\n\n

A propos de Beny Wagner<\/h2>

Beny Wagner est un artiste, un cin\u00e9aste, un \u00e9crivain et un conf\u00e9rencier. Travaillant sur des images en mouvement, des textes, des installations et des conf\u00e9rences, il construit des r\u00e9cits non lin\u00e9aires qui sondent le seuil toujours changeant du corps humain dans le temps. Il a explor\u00e9 des th\u00e8mes allant de l’histoire du m\u00e9tabolisme \u00e0 l’histoire sociale et politique de la normalisation des mesures, de la politique des d\u00e9chets \u00e0 l’histoire des monstres dans la science europ\u00e9enne. Depuis 2017, une grande partie de son travail est produite dans le contexte de sa collaboration continue avec Sasha Litvintseva.<\/p>\n

Wagner a pr\u00e9sent\u00e9 son travail dans des festivals, des expositions et des conf\u00e9rences dans le monde entier, notamment : Berlinale, Festival international du film de Rotterdam, CPH:DOX, Open City Documentary Festival, EXiS Seoul, Courtisane, Tate Modern, Museum of Moving Image New York, Eye Film Museum Amsterdam, Criterion Channel, Haus der Kulturen der Welt, Los Angeles Film Forum, Seoul Media City Biennale, Berlin Atonal, Venice Biennale, White Columns parmi beaucoup d’autres. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans Artforum, BOMB Magazine, Filmmaker Magazine, Spike Magazine Quarterly, Frieze Magazine, Kaleidoscope Press et Flash Art. Ses \u00e9crits ont \u00e9t\u00e9 publi\u00e9s dans e-flux, Diaphanes, Valiz, entre autres. Ses films ont remport\u00e9 de nombreux prix, dont celui du meilleur court m\u00e9trage \u00e0 IndieLisboa et celui du meilleur court m\u00e9trage documentaire au festival international du film de Guanajuato.<\/p>\n

Wagner est charg\u00e9 de cours en \u00e9tudes critiques des beaux-arts \u00e0 Goldsmiths, Universit\u00e9 de Londres. Il est titulaire d’un doctorat du groupe de recherche sur les arch\u00e9ologies des m\u00e9dias et de la technologie de l’\u00e9cole d’art de Winchester, \u00e0 l’universit\u00e9 de Southampton. Il a \u00e9galement enseign\u00e9 \u00e0 l’University College London, \u00e0 la Queen Mary University London, \u00e0 la Gerrit Rietveld Academy Amsterdam, et a \u00e9t\u00e9 invit\u00e9 \u00e0 donner des cours dans des acad\u00e9mies et universit\u00e9s de cin\u00e9ma et de beaux-arts \u00e0 travers l’Europe, le Royaume-Uni et les \u00c9tats-Unis. Wagner a \u00e9t\u00e9 chercheur \u00e0 l’Acad\u00e9mie Jan van Eyck. Il a obtenu sa licence au Bard College, \u00e0 New York.<\/p>\n

https:\/\/www.benywagner.com\/<\/a><\/p>\n<\/div><\/section>\n\n

Informations pratiques<\/h2>

Entr\u00e9e gratuite, sur inscription uniquement (places limit\u00e9es).
\nSi vous souhaitez participer, veuillez nous envoyer un courriel \u00e0 l’adresse suivante : soundimageculture@gmail.com<\/p>\n

Lieux :<\/p>\n

Argos: rue du Chantier 13, 1000 Brussels
\nCineFlagey: Place Sainte-Croix, 1050 Ixelles
\nPianofabriek: rue du Fort 35, 1060 Saint-Gilles<\/p>\n<\/div><\/section>","protected":false},"excerpt":{"rendered":"

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