{"id":3426,"date":"2023-09-11T19:21:24","date_gmt":"2023-09-11T19:21:24","guid":{"rendered":"https:\/\/soundimageculture.org\/team\/emily-wardill\/"},"modified":"2023-12-22T16:06:55","modified_gmt":"2023-12-22T16:06:55","slug":"emily-wardill","status":"publish","type":"team","link":"https:\/\/soundimageculture.org\/fr\/team\/emily-wardill\/","title":{"rendered":"Emily Wardill"},"content":{"rendered":"

Biographie<\/h2>

La pratique d’Emily Wardill s’\u00e9tend du cin\u00e9ma, de la vid\u00e9o, de la sculpture, de la performance, de la photographie et de l’installation. Il s\u2019agit d\u2019une enqu\u00eate permanente sur l\u2019image imagin\u00e9e \u2013 ce qu\u2019elle est, \u00e0 quoi elle a \u00e9t\u00e9 utilis\u00e9e et comment elle laisse derri\u00e8re elle des particules et des \u00e9clats d\u2019obus ind\u00e9l\u00e9biles. Cela l’a fait passer d’exemples d’entropie \u00e0 des \u00e9tudes de cas sur les risques d\u00e9taillant les incendies attribu\u00e9s \u00e0 des activit\u00e9s paranormales. Il est pass\u00e9 des \u00e9tudes de cas psychanalytiques sur les hallucinations n\u00e9gatives aux palais de la m\u00e9moire et \u00e0 leur relation avec la vision incolore. Du vitrail comme premier moyen de communication avec les analphab\u00e8tes jusqu’\u00e0 la technique cin\u00e9matographique du \u00ab jour pour la nuit \u00bb – en l’inversant pour r\u00e9fl\u00e9chir sur la vision technologique, le genre r\u00e9alis\u00e9 et les utopies imagin\u00e9es.
\nLe travail de Wardill a \u00e9t\u00e9 expos\u00e9 \u00e0 Secession, Gulbenkian Project Spaces, SMK, de Appel arts centre, List Center MIT, The ICA, XYZ Collective Tokyo, The Biennale of Moving Images Geneva, The Serpentine Gallery, The Hayward Gallery, MUMOK Vienne ; et MOCA, Miami. Elle a particip\u00e9 \u00e0 des expositions au Berlinalle Forum Expanded et aux festivals de cin\u00e9ma de New York et de Londres. Son travail a \u00e9t\u00e9 r\u00e9compens\u00e9 par le Jarman Award en 2010, le Leverhulme Award en 2011 et le prix EMAF en 2021. Elle a particip\u00e9 \u00e0 la 54e Biennale de Venise et \u00e0 la 19e Biennale de Sydney.<\/p>\n

emilywardill.com<\/span><\/a><\/p>\n<\/div><\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":4450,"template":"","class_list":["post-3426","team","type-team","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nEmily Wardill – Sound Image Culture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soundimageculture.org\/fr\/team\/emily-wardill\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Emily Wardill – Sound Image Culture\" \/>\n<meta property=\"og:url\" content=\"https:\/\/soundimageculture.org\/fr\/team\/emily-wardill\/\" \/>\n<meta property=\"og:site_name\" content=\"Sound Image Culture\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-22T16:06:55+00:00\" \/>\n<meta property=\"og:image\" 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