{"id":8949,"date":"2025-09-16T20:13:13","date_gmt":"2025-09-16T20:13:13","guid":{"rendered":"https:\/\/soundimageculture.org\/team\/robin-vanbesien\/"},"modified":"2025-09-16T20:21:25","modified_gmt":"2025-09-16T20:21:25","slug":"robin-vanbesien","status":"publish","type":"team","link":"https:\/\/soundimageculture.org\/fr\/team\/robin-vanbesien\/","title":{"rendered":"Robin Vanbesien"},"content":{"rendered":"

Coach<\/h2>

Robin Vanbesien est artiste, cin\u00e9aste, chercheur et enseignant, install\u00e9 \u00e0 Bruxelles. Son travail explore la mani\u00e8re dont les m\u00e9thodes cin\u00e9matographiques peuvent s\u2019articuler aux luttes situ\u00e9es d\u2019appropriation et de r\u00e9invention des lieux (place-making<\/em>) et y contribuer. Il interroge le potentiel du cin\u00e9ma \u2013 avec ou sans cam\u00e9ra ou \u00e9cran \u2013 \u00e0 reconna\u00eetre, r\u00e9investir, r\u00e9assembler, r\u00e9p\u00e9ter et redistribuer \u00e0 la fois le corps social collectif et l\u2019imaginaire sensoriel li\u00e9s \u00e0 ces luttes. Comment cr\u00e9er un cin\u00e9ma qui \u00e9merge d\u2019un processus de r\u00e9assemblage et de recr\u00e9ation men\u00e9 avec celles et ceux qui prennent la parole et agissent au plus pr\u00e8s de ces r\u00e9alit\u00e9s ? Et comment participer \u00e0 la redistribution continue de ce type de cin\u00e9ma ?<\/p>\n

Ses recherches portent sur les savoirs incarn\u00e9s par le cin\u00e9ma et sur l\u2019imaginaire collectif dans le cadre de luttes sociales et politiques. Il collabore avec des initiatives situ\u00e9es d\u2019auto-organisation collective, en explorant le cin\u00e9ma comme espace de rassemblement social, d\u2019engagement militant, de r\u00e9p\u00e9tition sp\u00e9culative et d\u2019assembl\u00e9e communautaire. En 2024, il a soutenu une th\u00e8se de doctorat en arts intitul\u00e9e Cin\u00e9 Place-Making<\/em>. \u00c0 Sint Lucas Antwerp, il co-coordonne et encadre le programme de master Socio-Political Context<\/em>.<\/p>\n

Vanbesien a cofond\u00e9 le Post Film Collective<\/em> (2020\u20132024), qui envisageait le cin\u00e9ma comme un espace de sp\u00e9culation collective. Il a \u00e9galement (co-)organis\u00e9 les cercles d\u2019\u00e9tude Cin\u00e9 Place-Making<\/em> (2022) et Cinema as Assembly<\/em> (2025). En 2017, il a dirig\u00e9 la publication de l\u2019ouvrage Solidarity Poiesis: I Will Come and Steal You<\/em> (b_books, Berlin). Son film Under These Words (Solidarity Athens 2016)<\/em> (2017) a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re \u00e0 transmediale, tandis que the wasp and the weather<\/em> (2019) a \u00e9t\u00e9 projet\u00e9 au Cin\u00e9ma du R\u00e9el.<\/p>\n

Son premier long m\u00e9trage, hold on to her<\/em> (2024), retrace un tribunal populaire autour du meurtre de Mawda Shawri par la police en 2018. Le film a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re mondiale au Berlinale Forum Expanded (2024), en premi\u00e8re belge au Film Fest Gent (comp\u00e9tition officielle, 2024), avant de sortir en salles en Belgique en 2025.<\/p>\n<\/div><\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":8947,"template":"","class_list":["post-8949","team","type-team","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nRobin Vanbesien – Sound Image Culture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soundimageculture.org\/fr\/team\/robin-vanbesien\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Robin Vanbesien – Sound Image Culture\" \/>\n<meta property=\"og:url\" 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