{"id":7242,"date":"2023-05-25T10:12:14","date_gmt":"2023-05-25T10:12:14","guid":{"rendered":"https:\/\/soundimageculture.org\/screenings-prizes-2\/"},"modified":"2025-01-12T18:55:26","modified_gmt":"2025-01-12T18:55:26","slug":"screenings-prizes-2","status":"publish","type":"page","link":"https:\/\/soundimageculture.org\/nl\/screenings-prizes-2\/","title":{"rendered":"Screenings & prizes"},"content":{"rendered":"

The films, co-produced, developed and made in the framework of SIC, are shown internationally. <\/b><\/span><\/p>\n

Les films d\u00e9velopp\u00e9s et coproduits par SIC, sont pr\u00e9sents \u00e0 l\u2019international. <\/span><\/p>\n

\n
\n
<\/div>\n
MAKE IT LOOK REAL – Daniel Shah<\/b><\/span><\/div>\n
(2024\/65’\/SIC\/Atelier Graphoui\/Video power)<\/span><\/div>\n<\/div>\n
<\/div>\n
\n
Projections – Screenings<\/em><\/b><\/span><\/div>\n
World premiere, IDFA, NL, 11\/2024<\/span><\/div>\n
Belgium premiere, Festival en Ville, Brussels, BE, 2025<\/span><\/div>\n
<\/div>\n<\/div>\n
\n
\n<\/div>\n
<\/div>\n
DEEPDRIVE – Nicolas Gourault<\/strong><\/span><\/div>\n
(2025\/SIC\/Scam Prix \u00c9mergences 2021)<\/span><\/div>\n
Post-production Residency at Light Cone, Paris, FR,\u00a0 11\/2024<\/span><\/div>\n
<\/div>\n
\n
\n<\/div>\n
<\/div>\n
VEUVES – Sonia Pastecchia<\/b><\/span><\/div>\n
(2024\/1h25\/SIC\/AJC!\/RTBF\/CBA)<\/span><\/div>\n
Presse – Reviews
\n<\/em><\/b>Cinergie.be “Veuves !, Sonia Pastecchia”, by Kevin Giraud, BE, 12\/2024\u00a0<\/span><\/p>\n<\/div>\n
Projections – Screenings<\/em><\/b><\/span><\/div>\n
\n
Cinemamed, Brussels, BE, 11\/2024<\/span><\/div>\n<\/div>\n
<\/div>\n
Prix – Awards<\/em><\/b><\/span><\/div>\n
\n
\n
Jury Mention Les Grenades at Cinemamed, Brussels, BE, 11\/2024<\/span><\/div>\n
<\/div>\n
\n
\n<\/div>\n<\/div>\n<\/div>\n

KOUTE VWA (Listen to the voices) – Maxime Jean-Baptiste<\/em>
\n<\/b>(2024\/90\u2019\/SIC\/Atelier Graphoui\/Spectre\/Twenty Nine Studio & Productions)
\nPresse – Reviews<\/em>
\n<\/b>\u00ab\u00a0Maxime Jean-Baptiste Bows Feature Debut \u2018Listen to the Voices,\u2019\u00a0\u00bb, Leonard Kr\u00e4hmer, by Pierre Jendrysiak, Variety, 08\/2024<\/span>
\n\u00ab\u00a0Locarno 77 : Figures libres par Franck Finance-Madureira\u00a0\u00bb, French Mania, 08\/2024<\/span>
\n“Maxime Jean-Baptiste \u2022 “La fiction nous a permis de nous distancer par rapport \u00e0 la trag\u00e9die, pour que la r\u00e9alit\u00e9 ne nous submerge pas” by Giorgia Del Don, Cineeuropa, 08\/2024<\/span>
\n\u00ab\u00a0Locarno 2024 \u2013 Cineasti del presente : Kout\u00e9 vwa (Listen to the Voices), premier long m\u00e9trage de Maxime Jean-Baptiste, brosse un portrait intime de la Guyane fran\u00e7aise\u00a0\u00bb by Firouz Pillet, J-mag, 08\/2024<\/span><\/p>\n

Projections – Screenings
\n<\/em><\/b>Festival En Ville !, BE, 01\/2025 <\/span>
\nIFFR, NL, 01\/2025<\/span>
\nRIDM, CA, 11\/2024<\/span>
\nTapei Golden Horse Film Festival, TW, 11\/2024<\/span>
\nFranz\u00f6sische Filmtage T\u00fcbingen – FFIF, DE, 11\/2024<\/span>
\nViennale Film Festival, AT, 10\/2024<\/span>
\nBelgium premiere, Film Festival Gent, BE, 10\/2024<\/span>
\nMostra Int. Film Festival Sao Paulo, BR, 10\/2024<\/span>
\nChicago Int. Film Festival, USA, 10\/2024<\/span>
\nFIFIB – Bordeaux, FR, 10\/2024<\/span>
\nFIFAC Int. Film Festival- Guyane, GY, 09\/2024<\/span>
\nVancouver International Film Festival, USA, 10\/2024<\/span>
\nWorld premiere at Locarno Film Festival – section “Cineasti del presente\u00a0\u00bb, CH, 08\/2024<\/span>
\n<\/b><\/p>\n

Prix – Awards
\n<\/em><\/b>Jury Award – Prix du Jury long m\u00e9trage – Festival Int. du film d’Amiens, FR, 11\/2024<\/span>
\nAward by students – Prix du Jury Etudiants – Festival Int. du film d’Amiens, FR, 11\/2024<\/span>
\nSpecial Jury Prize CINE+ at Locarno Film Festival, CH, 08\/2024<\/span>
\nSpecial Mention from the First Feature jury at Locarno Film Festival, CH, 08\/2024<\/span><\/p>\n

\n

MEA CULPA – Patrick Tass<\/em>
\n<\/b>(2024\/72\u2019\/Atelier Graphoui\/Cine Maximiliaan\/SIC)<\/span>
\n*Produced by Atelier Graphoui in the framework of Halaqat. The europeen project Halaqat created by Goethe Institut Belgium in collaboration with Bozar in partership with Sound Image Culture and Cine Maximiliaan and l\u2019Atelier Graphoui. With the support of Cin\u00e9ma Al Fouad.<\/span>
\nPresse – Reviews
\n<\/em><\/b>BRUZZ p 36, BE, 11\/2024<\/span>
\nBX1 Radio, BE, 11\/2024<\/span><\/p>\n

Projections – Screenings
\n<\/em><\/b>En lice au Magritte du Cinema, Brussels, BE, 01\/2025<\/span>
\nFILM RELEASE Cin\u00e9ma Galeries, BE, 11\/2024<\/span>
\nMaison Culture de Tournai – Imagix, BE, 11\/2024<\/span>
\nKunsthall, ‘Eye on Lebanon’, organised by Splinter, BE, Gent, 11\/2024<\/span>
\nGrignoux, Cinema Churchill, BE, 11\/2024<\/span>
\nPink Screens festival, Cinema Galeries, BE, 11\/2024<\/span>
\nSoura Film Festival, Berlin, DE, 10\/2024<\/span>
\nCasablanca Arab Film Festival, MA, 09\/2024<\/span>
\nFalastin Film Festival – Alternative Edinburgh Film Festival, UK, 08\/2024<\/span>
\nFestival de cinema En Ville ! Brussels, BE, 02\/2024<\/span><\/p>\n

\n

DROP! COVER! HOLD ON! – St\u00e9phanie Roland
\n<\/b>(Work in progress\/Feature\/SIC\/D\u00e9rives\/SCAM\/CBA\/CCA\/Gsara\/T\u00ebnk)<\/span>
\nThe Pr\u00e9ludes Award* and The DAFilms Award during FIDLab, Marseille, FR (Pitching session), 07\/2024<\/span><\/p>\n

\n

CROC – Thiago Antunes\u00a0<\/em>
\n<\/b>(2024\/15\u2019\/Work in Progress\/SIC)<\/span><\/p>\n

Projections – Screenings<\/em>
\n<\/b>Studio\/K in Amsterdam, NL, 04\/2024<\/span>
\nWORM X IFFR Film festival : CANNIBAL POETICS FESTIVAL, NL, 02\/2024<\/span>
\nScreening, Work-in-progress version, Beursschouwburg, Brussels, BE, 2022<\/span><\/p>\n

\n

PLAY DEAD ! – Matthew Lancit<\/em>
\n<\/b>(2023\/80\u2019\/SIC\/Quilombo Films\/CNC)<\/span>
\nPresse – Reviews<\/em>
\n<\/b>“Play Dead”, The film Verdict by Stephen Dalton, 10\/2023<\/span>
\n\u201cFais le mort ! de Matthew Lancit : notre critique”, T\u00e9l\u00e9rama, 03\/2024<\/span><\/p>\n

Projections – Screenings
\n<\/em><\/b>Transit Film Festival, DE, 11\/2024
\n<\/b>RISC – Rencontres Internationales Sciences & Cin\u00e9ma, Marseille, FR, 11\/2024<\/span>
\nMaestro Int. Documental de Bogota, CO, 10\/2024<\/span>
\nP\u00e4rnu International Documentary Film Festival, EE, 10\/2024<\/span>
\nScreening – Dusky Film Club, CA, 10\/2024<\/span>
\nLausanne Int Film Festival – LUFF, CH, 10\/2024<\/span>
\nLe Festival international Jean Rouch – Hors les murs, Bordeaux, FR, 10\/2024<\/span>
\nMacabro Film Festival in Mexico City, 09\/2024<\/span>
\nApricot Tree International Documentary Film Festival, AM, August 2024<\/span>
\n\u00c9tats g\u00e9n\u00e9raux du film documentaire – Lussas, FR, 08\/2024<\/span>
\nGimli International Film Festival, CA, 07\/2024<\/span>
\nRiga Pasaules Film Festival, LT, 05\/2024<\/span>
\nEthnocineca – International Documentary Film Festival, Vienna, AT, 05\/2024<\/span>
\nFestival international Jean Rouch – Comit\u00e9 du film ethnographique, Paris, FR, 05\/2024<\/span>
\nARTE, online and on ARTE television, FR, 03\/2024<\/span>
\nDocPoint – Helsinki Documentary Film Festival, FI, 01\/2024<\/span>
\nAvant premi\u00e8re at DOK Leipzig Festival, DE, 10\/2023<\/span>
\nArsenal cinema – “What Is Cinema Capable Of?\u00a0\u00bb, Berlin, DE, 10\/2023<\/span><\/p>\n

Prix – Awards
\n<\/b>GRAND PRIZE of the festival as the best artistic achievement, P\u00e4rnu International Documentary Film Festival, EE, 10\/2024<\/span>
\nAward “PRIX DES LABORATOIRES DE RECHERCHE” at the Festival international Jean Rouch – Comit\u00e9 du film ethnographique, FR, 03\/2024<\/span><\/p>\n

\n

THE CLOUD – Arkadi Zaides<\/em>
\n<\/b>(60\u20192024\/Theater performance)<\/span>
\n*co-producers and supporters of the work Montpellier Danse, Charleroi danse, Maison de la danse de Lyon, Mousonturm, CAMPO, PACT Zollverein, Orbita Spellbound Centro Nazionale di Produzione della Danza, CSS Teatro stabile di innovazione del Friuli Venezia Giulia, Sic Soundimageculture.<\/span>
\nPresse – Reviews
\n<\/b><\/em>Danser Canal Historique by\u00a0Agn\u00e8s Izrine, 06\/2024<\/span>
\nLa Geste.be, BE 05\/2024<\/span>
\nEtcetera – Klaas Tindemans, BE, 05\/2024<\/span>
\nPzazz – Lotte Ogiers, BE, 05\/2024<\/span>
\nChronique de Danse – Jocelyne Vaysse, FR, 06\/2024<\/span><\/p>\n

Representations
\n<\/em><\/b>De Kriekelaar GC within the program of Kaaitheater, BE, 04\/2025 <\/span>
\nMousonturm, Frankfurt, DE, 12\/2024<\/span>
\nSpazio Rossellini, Rome, within the program of Orbita Spellbound Centro Nazionale di Produzione della Danza, IT, 11\/2024<\/span>
\nLAC Lugano Arte e Cultura within the frames of Festival Internazionale del Teatro (FIT), 10\/2024<\/span>
\nFestival Internazionale del Teatro (FIT), IT, 10\/2024<\/span>
\nMontpellier Danse, FR, 06\/2024<\/span>
\n<\/b>Premi\u00e8re at CAMPO, Ghent, BE, 05\/2024<\/span><\/p>\n

\n

Show case at GC Ten Weyngaert, Brussels, BE, 06\/2024:
\n<\/b><\/em>Works-in-progress screenings<\/b> of SoundImageCulture 2023 participants:<\/em><\/span><\/p>\n

Antoine Legardinier \u2013 La maison – Works-in-progress
\n<\/em>No\u00e9 Cottencin \u2013 Life\u00a0 <\/span>– Works-in-progress
\n<\/em>Anne Vera Veen \u2013 Mounds, Myths and Meanings – Works-in-progress
\n<\/em>St\u00e9phanie Roland \u2013 Drop! Cover! Hold On! – Works-in-progress
\n<\/em>Keren Kraizer \u2013 Fracture – Works-in-progress
\n<\/em>Margo Mot \u2013 Bruxelles From 5 to 7 – Works-in-progress
\n<\/em>Nicolas Gourault \u2013 Unknown Label – Works-in-progress
\n<\/em>Karina Beumer \u2013 The Replacement – Project Works-in-progress<\/em><\/span><\/p>\n

\n

STAND OUT OF MY SUNLIGHT \/ \u00d4TE-TOI DE MON SOLEIL – Messaline Raverdy<\/strong><\/em><\/span>
\n(2023\/50’\/SIC\/Mati\u00e8re Premi\u00e8re\/Survivance\/GSARA\/Luna Blue Film\/Shelter Prod\/CBA)<\/span><\/p>\n

Projections – Screenings
\n<\/em><\/strong>En lice au Magritte, Brussels, BE, 01\/2025
\n<\/em>Centre Culturel Jacques Franck, BE, 01\/2025
\nCentre Culturel Centr’al, Brussels, BE, 11\/2024
\n<\/em>Centre Culturel, Bruegel, Brussels, BE, 11\/2024<\/em>
\n<\/em><\/strong>Transmutation Cine Contemporaneo, Mexico, 09\/2024<\/span>
\nCin\u00e9ma Nova + Q&A with the director, Brussels, BE, 09\/2024<\/span>
\nCin\u00e9ma Nova + Q&A with the producer Julien Contreau and editor Effi Weiss, Brussels, BE, 09\/2024<\/span>
\nCin\u00e9ma Nova + Q&A with the director and Alain Loute philosopher (Professor of Clinical Ethics at UCL), Brussels, BE, 10\/2024<\/span>
\nCin\u00e9ma Nova + Q&A with Les Dana\u00efdes, a multidisciplinary group working with and around Diogenes syndrome, 10\/2024<\/span>
\nEuropean Media Art Festival, Osnabr\u00fcck, Germany, 04\/2024<\/span>
\nFull Frame Documentary Film Festival, 04\/2024<\/span>
\nFestival International Jean Rouch – Comit\u00e9 du film ethnographique, Paris, France, 05\/2024<\/span>
\nFestival PUNTO DE VISTA, ES, 03\/2024<\/span>
\nFestival En Ville!, BE, 01\/2023<\/span>
\nPremi\u00e8re mondial Festival dei Popoli, 11\/2023<\/span><\/p>\n

Prix – Awards<\/em>
\n<\/b>Jean Vigo Award at Punto de Vista, ES, 03\/2024<\/span>
\nJury Award at Festival de cin\u00e9ma En ville!, Brussels, BE, 01\/2024<\/span>
\nBest Medium-length film Film Award, Festival dei Popoli, Florence, IT, 11\/2023<\/span><\/p>\n

\n

COUP DE GR\u00c2CE – Dorothee van den Berghe & Griet van Reeth <\/b><\/em><\/span>
\n(2023\/59’\/SIC\/Inti Films)<\/span><\/p>\n

Projections – Screenings<\/em>
\n<\/b>Festival du film documentaire DOCVILLE, Louvain, BE, 03\/2023\u00a0<\/span><\/p>\n

\n

L’ANNEE PROCHAINE, ON PARTIRA – Juliette Joff\u00e9<\/em>
\n<\/b>(2022\/47’\/SIC\/Mountain View\/VAF\/Collectivit\u00e9 Territoriale De Corse -CNC)<\/span>
\n<\/b><\/p>\n

Projections – Screenings<\/em>
\n<\/b>Film Diary NYC , New York (\u00c9tats-Unis) 2023<\/span>
\nDreamers Of Dreams Film Festival, Londres, UK, 2023<\/span>
\nFICIMAD – Festival De Cine Independiente De Madrid, Madrid, ES, 2023<\/span>
\nInternational Documentary Festival of Ierapetra, Ierapetra, GR, 2022<\/span>
\nAPOX Documentary Film Festival, Veli Lo\u00c5\u00a1inj, Croatia, 2022<\/span>
\nTorino Underground Cinefest, Turino, IT, 2022<\/span>
\nMostra internazionale del cinema di Genova, IT, 2022<\/span>
\n<\/b><\/p>\n

Prix – Awards<\/em>
\n<\/b>Best film of the student Jury, Mostra internazionale del cinema di Genova, IT, 2022<\/span><\/p>\n

\n

OFF-LAND – James Newitt <\/b><\/em><\/span>
\n(2022\/30’\/SIC\/Australia Council for the Arts) <\/span>
\n<\/b><\/p>\n

Projections – Screenings <\/b><\/em><\/span>
\nGaleria da Boavista, Lisbon, PT, 06-09\/2023<\/span>
\nAdelaide Festival, Premi\u00e8re Mondiale, Samstag Museum of Art, Adelaide, AU, 03\/2023<\/span>
\nEdith Russ Haus for Media Art, Exposition solo, Oldenburg, Allemagne, DE, 2023
\nProjection-Room + Q&A, BOUNDARY ENCOUNTERS : Fictional strategies in reality-based film – SIC, Bruxelles, BE, 10\/2022
\nBienal ’21 Fotografia do Porto, Foundation Marques da Silva, Porto, PT, 05\/2021 <\/span><\/span><\/p>\n

\n

A LIFE LIKE ANY OTHER – Faustine Cros<\/em>
\n<\/b>(2022\/68’\/SIC\/D\u00e9rives)<\/span>
\nPresse – Reviews
\n<\/em><\/b><\/b>The British newspaper The Guardian, UK, 08\/2024<\/span>
\nRadio France, \u00ab Une vie comme une autre \u00bb : le documentaire \u00e0 voir sur Tenk, FR, 02\/2024<\/span>
\nModerntimes.review, 2022<\/a><\/span>
\nCineuropa, Article de Vladan Petkovic DOK Leipzig<\/a>, Octobre, DE, 2022<\/span>
\n<\/b><\/p>\n

Online screenings
\n<\/b>True Story VOD platform, UK, 08\/2024\u00a0<\/span>
\nTENK, plateforme online platform, FR, 02\/2024 – 03\/2024<\/span>
\nSooner<\/span> platform, BE, 2024<\/span><\/p>\n

Theatrical release
\n<\/em><\/b>Distributed by DocsDelMes, the distribution part of DocsBarcelona, Faustine Cros’ film will be released in Spain on June 6, 2024<\/span>
\nTheatrical release – Sortie en salles, Slovakia – Film Expanded, 01\/2024<\/span><\/p>\n

Projections – Screenings
\n<\/em><\/b>Mois du doc, Centre Wallonie Bruxelles, Paris, 11\/2024
\n<\/em><\/b><\/b>Rhode Island International Film Festival, 06\/2024<\/span>
\nCercle du Lavieu, Festival Images Mentales & Club Andr\u00e9 Bain (CRF), Li\u00e8ge, Be, 02\/2024<\/span>
\nFestival Rencontres Images Mentale, La V\u00e9nerie, Bruxelles, Be, 02\/2024
\n<\/b>Film Diary NYC, <\/a>New York, USA, 01\/2024<\/span>
\nOne World Film Festival, Bratislava, SL, 11\/2023<\/span>
\nVerzi\u00f3 International Human Rights Documentary, Budapest, HU, 11\/2023<\/span>
\nFestival du Film Interg\u00e9n\u00e9rationnel, Q&A, SPOTT – Centre culturel d’Ottignies-Louvain-la-Neuve, Mois du Doc, BE, 11\/2023<\/span>
\nCin\u00e9ma Vend\u00f4me, Cin\u00e9-club “Les Samedis du Cin\u00e9”, Q&A, Mois du Doc, Bruxelles, BE, 11\/2023<\/span>
\nCantine associative des Goujons, Le Festival du film interg\u00e9n\u00e9rationnel s’exporte, Q&A, Mois du Doc, Bruxelles, BE, 11\/2023<\/span>
\nMC Gare – Maison de la Cr\u00e9ation, Mois des Doc, Bruxelles, BE, 11\/2023<\/span>
\nCin\u00e9ma Le Korrigan (Binic-Etables-sur-Mer), Mois du Doc, FR, 11\/2023<\/span>
\nM\u00e9diath\u00e8que municipale Eug\u00e8ne Guillevic (Hennebont), Mois du Doc, FR, 11\/2023<\/span>
\nLe Pass’temps (Malestroit), Mois du Doc, FR, 1\/2023<\/span>
\nSalle de l’Hermine (Plouha), Mois du Doc, FR, 11\/2023<\/span>
\nLA GRANGE AUX ABEILLES (Le Gouray), Mois du Doc, FR, 11\/2023<\/span>
\nInconvenient film festival – Human Rights Film Festival, LT, 10\/2023<\/span>
\nInsas, Cin\u00e9club, Bruxelles, BE, 10\/2023<\/span>
\nCin\u00e9club Nick\u00e9lod\u00e9on, Li\u00e8ge, BE, 10\/2023<\/span>
\nLa Tricoterie, BE, 09\/2023<\/span>
\nCin\u00e9ma Aventure, 09\/2023<\/span>
\nF\u00fcnf Seen Filmfestival, DE, 08\/2023<\/span>
\nLa Trois – RTBF + RTBF Auvio, 07\/2023<\/span>
\nDE Cinema, Anvers, BE, 06\/2023<\/span>
\nProjection Room, SIC Case-Study & PARTY, BE, 06\/2023<\/span>
\nAvant premi\u00e8re, Cin\u00e9ma Galeries, Bruxelles, BE, 04\/2023<\/span>
\nIsmailia film festival, Egypte, 03\/2023<\/span>
\nFestival One World dans la cat\u00e9gorie \u201crelationships\u201d, Praha, CZ, 03\/2023<\/span>
\nFestival de cin\u00e9ma En ville, BE, 02\/2023<\/span>
\nL’Alternativa, Festival de Cine Independiente de Barcelona, ES, 11\/2022<\/span>
\nDOK Leipzig, Allemagne, DE 10\/2022<\/span>
\n<\/b><\/p>\n

Prix – Awards<\/em>
\n<\/b>Audience Award, Siberia Doc, Russia, 12\/2023<\/span>
\nPublic Award at Underhill Fest, Montenegro, 07\/2023<\/span>
\n\u201cNuovi Talenti\u201d Award for the best first film of the International Competition at Biografilm Festival, Italy, 07\/2023<\/span>
\nAward for Best Documentary Film, SCAM, BE, 04\/2023.<\/span>
\nBest Film, Ismailia film festival, Egypte, 03\/2023<\/span>
\nPrize of the Jury for best Belgian film, Festival de cin\u00e9ma En ville, BE, 02\/2023<\/span>
\nSpecial mention of the Jury, Festival de cin\u00e9ma En ville, BE, 02\/2023<\/span>
\nSpecial Mention – “Best International Feature film” at L’Alternativa, Festival de Cine Independiente de Barcelona, ES, 11\/2022<\/span>
\nSpecial Mention – “Don Quixote International Feature film” at L’Alternativa, Festival de Cine Independiente de Barcelona,, ES, 11\/2022<\/span>
\nDOK Leipzig, The Silver Dove Award for best long documentary or animated film by an up-and- coming director in the International Competition, 10\/2022<\/span>
\nDOK Leipzig, The Interreligious Prize for a film in the International Competition Long Documentary and Animated Film, 10\/2022<\/span><\/p>\n

\n

CROC – Thiago Antunes
\n<\/strong><\/em>(2024\/20\u2032\/SIC\/Work-in-progress version)<\/span>
\nProjections – Screenings<\/em>
\n<\/b>WORM X IFFR : CANNIBAL POETICS FESTIVAL<\/a>, Work-in-progress version, Worm Rotterdam, 02\/2024<\/span>
\nScreening, Work-in-progress version, Beursschouwburg, Brussels, BE, 2022<\/span><\/p>\n

\n

THE A-TEAM- Nnenna Onuoha<\/b><\/em><\/span>
\n(2021\/17\u2032\/ANIDOX Lab\/SIC\/Berlin Senate Grant for Women in Film and Video)<\/span>
\n<\/b><\/p>\n

Projections – Screenings<\/em>
\n<\/b>AFVS – Harvard, Carpenter Center Theater, Massachusetts, USA, 10\/2023<\/span>
\nA F T E R L I V E S, Galerie im Turm. Berlin, DE, 2023<\/span>
\nThe Educational Web, Kunstverein Hamburg, DE, 2023<\/span>
\nMutual Matters, Goldrausch, Fahrbereitschaft, Haubrok Foundation, Berlin, DE, 2021<\/span><\/p>\n

\n

LETTER TO NIKOLA – Hara Kaminara <\/b><\/em><\/span>
\n(2021\/50\u2019\/SIC\/D\u00e9rives) <\/span>
\nPresse – Reviews <\/b><\/em><\/span>
\n“Ce que peuvent les images” Cinergie, de Anne Feuill\u00e8re,<\/a> 06\/2022,<\/span>
\n“Lettre \u00e0 Nikola prose \u00e9pistolaire en mer libyenne” de S\u00fbrya Buis, 06\/2022, https:\/\/ www.lesuricate.org<\/span>
\n“Entre la vie et la mer de” Elli Mastorou, 06\/2022, https:\/\/www.lavenir.net<\/a><\/span>
\n<\/b><\/p>\n

Projections – Screening<\/em>
\n<\/b>Part of the online catalogue on Doc Alliance, 08\/2024<\/span>
\nAvignon Festival, Maison Jean Vilar – SOS Mediterranee, FR, 07\/2023<\/span>
\nLettre \u00e0 Nikola est pr\u00e9-s\u00e9lectionn\u00e9 pour Les Magritte du Cin\u00e9ma, BE, 2023<\/span>
\nDAFilms : A special tribute to Atelier D\u00e9rives, Online, 05\/2023<\/span>
\nFestival International du Film Politique de Carcassone, FR, 01\/2023<\/span>
\nPrix du Meilleur Documentaire au Dublin Independent Film Festival, IE, 11\/2022<\/span>
\nFlorence Int Film Festival, Italie, IT, 11\/2022<\/span>
\nFestival DocFest, GR, 11\/2022<\/span>
\nCroix rouge Yvoir-Bocq, FR, 11\/2022<\/span>
\nRocher de Palmer, FR, 11\/2022<\/span>
\nCin\u00e9ma Aventure, Bruxelles, BE, 11\/2022<\/span>
\nBiblioth\u00e8que d’Ixelles, Bruxelles, BE, 11\/2022<\/span>
\nBabibar, Li\u00e8ge, BE, 11\/2022<\/span>
\nCroix-Rouge Yvoir, Namur, BE, 11\/2022<\/span>
\nL’Union des progressites Juifs de Belgique, Mois du Doc, Bruxelles, BE, 11\/2022<\/span>
\nJCC Carthage Film Festival, section parall\u00e8le “Regards crois\u00e9s”, Tunisie, TN, 11\/2022<\/span>
\nProjection Room, +”On la nomme la br\u00fblure” de Mary Jim\u00e9nez et B\u00e9n\u00e9dicte Li\u00e9nard, Bruxelles, BE, 10\/2022<\/span>
\nMaison de la Francit\u00e9 (avec Cinergie), BE, Bruxelles 10\/2022<\/span>
\nParlement Europ\u00e9en + Q&A avec Margarida Marquez, Isabelle Santos, Pietro Bartolo, d\u00e9put\u00e9s au Parlement Europ\u00e9en, ainsi que Fabienne Lassalle et Marine Thomas, respectivement directrice g\u00e9n\u00e9rale adjointe et Responsable du plaidoyer chez SOS MEDITERRANEE France., BE, 10\/2022 Churchill (Grignoux), Li\u00e8ge, en pr\u00e9sence de la r\u00e9alisatrice et de l’association CAP Migrants + exposition des photographies de la cin\u00e9aste, issues du tournage du film, BE, 10\/2022<\/span>
\nImmigration Film Festival de Washington, USA, 09\/2022<\/span>
\nSORTIE EN SALLE – Projections – Flagey Studio\/Cinematek, Bruxelles, BE, 06 + 07\/2022<\/span>
\nFaito doc Festival de Naples, Italie, IT, 07\/2022<\/span>
\nFestival R\u00e9sistances de Foix, FR, 07\/2022<\/span>
\nLift-Off Global Network de Londres, UK, 06\/2022<\/span>
\nFestival DocuMed – Cin\u00e9ma Documentaire M\u00e9diterran\u00e9en en Tunisie, 06\/2022.<\/span>
\nFlagey – Studio 5, Bruxelles, Sortie National, BE, 06 + 07\/2022<\/span>
\nMillenium Documentary Film Festival, Cin\u00e9ma Palace, Bruxelles, 05\/2022<\/span>
\nThessaloniki Documentary Film Festival “Special Jury Award”, Gr\u00e8ce, 03\/2022<\/span>
\nMusic & Cinema – Festival International du Film, Marseille, FR, 04\/2022<\/span>
\nAvant Premi\u00e8re + D\u00e9bat, Cin\u00e9ma Kinograph, Bruxelles, BE, 11\/2021<\/span>
\nJi.hlava International Documentary Film Festival, CZ, 11\/2021<\/span>
\nPrix – Awards<\/em>
\n<\/b>Prix du Meilleur Documentaire au Dublin Independent Film Festival, Irlande, 11\/2022<\/span>
\nLe prix “Gaze Award” au Faito doc Festival de Naples, IT, 07\/2022<\/span>
\n\u00e9lu \u00ab Coup de coeur du festival \u00bb, Music & Cinema – Festival International du Film, Marseille, FR, 04\/2022<\/span>
\nBEST ISTANBUL FILM FESTIVAL – PRIX DU MEILLEUR FILM DOCUMENTAIRE, 03\/2022<\/span>
\nThessaloniki Documentary Film Festival, Prix “Special Jury Award”, GR, 03\/2022
\n<\/span>FAITO DOC FESTIVAL – GAZE AWARD, 07\/2022<\/span><\/p>\n

\n

THE SHADOW WORKER – Annelein Pompe
\n<\/b><\/em>(De Schaduwwerkers\/Les travailleurs cach\u00e9s)\u00a0<\/b><\/span>
\n(2021\/46\u2019\/SIC\/Graphoui\/Looking at the crossroads avec le soutien de la VAF) <\/span>
\nPresse – Reviews <\/b><\/em><\/span>
\n“Coincidences are a crucial part of my way of making art” Portrait<\/a>, BRUZZ, BE, June 2022 <\/span>
\nCarolin Weidner, \u201cThe Shadow Workers,\u201d DOK Leipzig, 2021, https:\/\/www.sabzian.be\/event\/de- schaduwwerkers<\/span>
\n“La contagion des passions” de Anne Feuill\u00e8re, 02\/2022; https:\/\/www.cinergie.be\/actualites\/de-schaduwwerkers-d-annelein-pompe<\/a><\/span>
\n<\/b><\/p>\n

Projections – Screenings<\/em>
\n<\/b>Offoffcinema, Gand, BE, 04\/2023<\/span>
\nBAFF- Brussels Art Film Festival, Bruxelles, BE, 11\/2022<\/span>
\n24th international Film Festival Film by the Sea, Vlissingen, NL, 09\/2022<\/span>
\nCin\u00e9ma Nova, projection + D\u00e9bat, en pr\u00e9sence de la r\u00e9alisatrice et d\u2019Eric Pauwels, 06\/2022<\/span>
\nAvant Premi\u00e8re + D\u00e9bat, Bozar, Bruxelles, 02\/2022<\/span>
\nFilm Festival DOK Leipzig, DE, 10\/2021<\/span>
\n<\/b><\/p>\n

Prix – Awards<\/em>
\n<\/b>AWARD SCAM, BAFF- Brussels Art Film Festival Brussels, Bruxelles, 11\/2022 <\/span><\/p>\n

\n

A HOUSE PLACED IN BETWEEN \/ Poetry in the comfortable grey zone – Toshie Takeuchi <\/b><\/em><\/span>
\n(2020\/37\u2019\/SIC) <\/span>
\n<\/b><\/p>\n

Projections – Screenings <\/b><\/em><\/span>
\n“How To Relate” (curated by Julia Reist), Beursschouwburg, Bruxelles, BE, 03\/2023 Projection Room + Q&A with Els Opsomer, Organized by SIC, Bruxelles, BE, 11\/2022<\/span>
\nCongo in Harlem, NewYork, USA, 10\/2022<\/span>
\nFestival de Films \u00ab Ishango Encounter \u00bb, Goma, RDC (R\u00e9publique d\u00e9mocratique du Congo), 06\/22 <\/span>
\n“Intangibility within the tangeble spaces of coloniality \u00bb, Online + Q&A : https:\/\/ www.houseplacedinbetween.space\/, 04\/2022 <\/span><\/p>\n

\n

LIBERTY: AN EPHEMERAL STATUTE – Rebecca Jane Arthur <\/b><\/em><\/span>
\n(2020\/37\u2019\/SIC\/Elephy\/Argos\/Beursschouwburg) <\/span>
\nPresse – Reviews <\/b><\/em><\/span>
\nBook – Livre \u00ab Be Good, If you can\u2019t be good, be good at it Boom Boom \u00bb, Conversations + Eva Giolo, Edition; Elephy, Sofam, Gsara, Beursschouwburg, 2022<\/span>
\nAlchemy film and arts – Rachael Disbury, 04\/2021 https:\/\/alchemyfilmandarts.org.uk\/festival-2021- spotlight-liberty-an-ephemeral-statute\/ <\/span>
\n<\/b><\/p>\n

Projections – Screenings <\/b><\/em><\/span>
\nParcours d’Artistes, GC Ten Weyngaert, Bruxelles, BE, 10\/2023<\/span>
\nDafilms.com, online, 09\/2023<\/span>
\nDouble Feature – Schirn Kunsthalle Frankfurt Frankfurt, DE, 08\/2022 <\/span>
\nBredaPhoto Festival 2022, Breda, NL, 06\/2022<\/span>
\nGallery Harlan Levey Projects 1080, Bruxelles, BE, 02\/2022<\/span>
\nFilmhuis Cavia, Amsterdam, NL, 02\/2022<\/span>
\nBelvedere Museum, Blickle Kino, Vienne, AT, 01\/2022<\/span>
\nFestival En Ville, Bruxelles, BE, 2021<\/span>
\nFestiFreak Film Festival, Buenos Aires, AR, 2021<\/span>
\nFRACTO Film Festival, Berlin, DE, 2021<\/span>
\nOpen City Film Festival, Londres, UK, 2021<\/span>
\nVisit Film Festival, Anvers, BE, 2021<\/span>
\nAlchemy Film & Arts Moving Image Festival, \u00c9cosse, Royaume-Uni, UK, 2021 Festival Punta de Vista, Espagne, ES, 2021 <\/span><\/p>\n

\n

DEMEURE- Lucie Martin <\/b><\/em><\/span>
\n(2019\/45’\/SIC\/D\u00e9rives\/Gsara) <\/span>
\n<\/b><\/p>\n

Projections – Screenings <\/b><\/em><\/span>
\n“How To Relate” (curated by Julia Reist), Beursschouwburg, Bruxelles, BE, 03\/2023 Venice Architecture Film Festival – Venice, IT, 09\/2021<\/span>
\nMimesis documentary Festival – Boulder, Colorado, United States, US, 08\/2021 <\/span><\/p>\n

\n

Odyssey – Sabine Groenewegen <\/b><\/em><\/span>
\n(2018\/61’\/SIC\/Spectre production) <\/span>
\n<\/b><\/p>\n

Projections – Screenings <\/b><\/em><\/span>
\nRiarrr, organis\u00e9 par ReCNTR X Glued & Screwed at Filmhuis den haag, NL, 05\/2023<\/span>
\nCin\u00e9ma Le M\u00e9lies, LIGHT CONE – Les Rencontres du cin\u00e9ma documentaire\/ Peripherie, Paris, FR, 01\/2023<\/span>
\nDocumenta 15 – Gudskul Ecosystem, Jagakarsa, Jakarta, ID, 08\/2022<\/span>
\nDans le cadre de Aesthetics of the Political organis\u00e9 par SIC, Bozar, Bruxelles, BE, 2021 <\/span><\/p>\n

\n

\u00c0 LA POURSUITE DU VENT – Julia Clever <\/b><\/em><\/span>
\n(2018\/60’\/SIC\/D\u00e9rives\/CBA) <\/span>
\n<\/b><\/p>\n

Projections – Screenings <\/b><\/em><\/span>
\nAccessible en VOD sur D\u00e9rives: https:\/\/www.derives.be\/en\/films\/trying-to-catch-the-wind<\/span>
\nProjection + D\u00e9bat, organis\u00e9 par “Ami, entends-tu?”asbl, Atrium 57 et la Biblioth\u00e8que de Gembloux, Gembloux, BE, 11\/2022 <\/span><\/p>\n

\n

THE SOUND OF NORMALISATION – Davide Tidoni <\/b><\/em><\/span>
\n(2018\/60’\/SIC) livre + video\/dvd <\/span>
\n<\/b><\/p>\n

Projections – Screenings <\/b><\/em><\/span>
\nIctus invites: ARK [sound poetry], Wild Gallery – A Premium Event Space, Bruxelles, BE, 2021 <\/span><\/p>\n

\n

MY HOME, IN LIBYA – Martina Melilli <\/b><\/em><\/span>
\n(2018\/66’\/SIC) production : Stefilm, RAI Cinema, Arte, ZDF, with the support of Regione Piemonte – Piemonte Doc Film Fund, Film Commission Torino Piemonte<\/span>
\n<\/b><\/p>\n

Projections – Screenings<\/em>
\n<\/b>T\u00e9l\u00e9vision Rai3, + online RaiPlay, 11\/2021 <\/span><\/p>\n

\n

LA MAZDA JAUNE ET SA SAINTETE – Sandra Heremans <\/b><\/em><\/span>
\n(2018\/10\u2019\/Graphoui\/SIC) <\/span>
\n<\/b><\/p>\n

Projections – Screenings <\/b><\/em><\/span>
\nFestival International de Films de Fribourg, CH, 03\/2020<\/span>
\nLondon Short Film Festival, GB, 01\/2020 <\/span><\/p>\n

\n

THE LAST SUPER 8 FILM – Dan Oki <\/b><\/em><\/span>
\n(2017\/SIC) <\/span>
\n<\/b><\/p>\n

Projections – Screenings <\/b><\/em><\/span>
\nArgos window display and online, Bruxelles, 2021 <\/span><\/p>\n

\n

HOUSEWARMING – Effi & Amir <\/b><\/em><\/span>
\n(2016, 33\u2019\/SIC\/La chose \u00e0 trois jambes\/Centre de l\u2019audiovisuel \u00e0 Bruxelles\/ORAFILM (Albania) ) <\/span>
\n<\/b><\/p>\n

Projections – Screenings <\/b><\/em><\/span>
\nFreiburger Filmforum, DE, 05\/2023 <\/span><\/p>\n

\n

N\u00c3O H\u00c1 IMAGENS \/ THERE ARE NO IMAGES by Miguel Peres dos Santos<\/em><\/strong><\/span>
\n(2015\/14’\/Argos\/SIC)<\/span>
\n<\/b><\/p>\n

Projections – Screenings <\/b><\/em><\/span>
\nArgosTV, Argos window display and online, 12\/2023<\/span><\/p>\n

\n

PEPSI, COLA, EAU? – Tom Bogaert <\/b><\/em><\/span>
\n(2015\/9’18\/SIC) <\/span>
\n<\/b><\/p>\n

Projections – Screenings <\/b><\/em><\/span>
\n“Lumbung” Screenings, Cultuurcentrum Strombeek Grimbergen (Documenta fifteen program), BE, 12\/2022<\/span>
\nDocumenta fifteen Gloria-Kino, Kassel, DE, 09\/2022<\/span>
\nBB15, Exhibition \/ Screening, Space for contemporary art, Linz, AT, 2021
\n<\/span><\/b><\/span><\/p>\n

Prix – Awards<\/em>
\n<\/b>Award \u2013 First Prize Swiss Competition \u2013 Festival VIDEOEXZurich (CH), 2016<\/span><\/p>\n

\n

FUNCTIONING PHOTOGRAPHS – Danial Shah<\/em><\/b><\/span>
\n(Work in Progress\/SIC\/Video Power\/Graphoui)
\n<\/b><\/span><\/p>\n

Projections – Screenings<\/em>
\n<\/strong>Private rough cut screening, organized by docassociationpakistan, Karachi, PK, 11\/2023<\/span>
\nWork in progress version, Beursschouwburg, Bruxelles, BE, 12\/2022<\/span><\/p>\n

\n

ROCK, PAPER, SCISSORS – Christina Phoebe <\/em><\/b><\/span>
\n(Work in Progress\/SIC)<\/span><\/p>\n

Projections – Screenings<\/strong><\/em><\/span>
\nWork in progress version, Beursschouwburg, Bruxelles, BE, 12\/2022<\/span><\/p>\n

\n

FANTASIES ON HOW TO STRIKE part II – \u00a0Lisette Olsthoorn<\/em><\/b><\/span>
\n(Work in Progress\/SIC)<\/span>
\n<\/b><\/p>\n

Projections – Screenings<\/em>
\n<\/b>Work in progress version, , Beursschouwburg, Bruxelles, BE, 12\/2022<\/span><\/p>\n

\n

APUCHA (The Grandfather) – Luis Pizarro Perez<\/b><\/em><\/span>
\n(Work in Progress\/SIC)<\/span><\/p>\n

Projections – Screenings<\/strong><\/em><\/span>
\nWork in progress version, Beursschouwburg, Bruxelles, BE, 12\/2022<\/span><\/p>\n

\n

DIE ARCHIVARE oder das Gewicht der Geschichte – Mirna Everhard<\/b><\/em><\/span>
\n(Work in Progress\/SIC)
\n<\/b><\/span><\/p>\n

Projections – Screenings<\/em>
\n<\/b>Work in progress version, Beursschouwburg, Bruxelles, BE, 12\/2022<\/span><\/p>\n

\n

NATURE MORTE AVEC COLLOCATAIRES VIVANTS – Olivia Molnar <\/b><\/em><\/span>
\n(Work in Progress\/SIC)<\/span>
\n<\/b><\/p>\n

Projections – Screenings<\/b><\/em><\/span>
\nWork in progress version, Beursschouwburg, Bruxelles, BE, 12\/2022<\/span><\/p>\n

\n

Two Mountains Weighing Down by Chest by Viv Li<\/em>
\n<\/b>(Pitching\/Work in progress\/90\u2019\/In Production\/SIC)<\/span>
\nGrants\/Pitching<\/em>
\n<\/b>Sundance Documentary Fund, 2022<\/span>
\nThe Whickers Awards, 2022<\/span>
\nLogan Nonfiction Fellowship, 2022 IDFA Forum, 2021<\/span>
\nNipkow Program, 2021<\/span>
\nBerlinale Talents Doc Station, 2021<\/span>
\nIDFA Project Space, 2021 IDFAcademy, 2021<\/span>
\nFIPADOC, 2021 Kickstarter, 2021<\/span>
\nDOKLeipzig, 2020<\/span><\/p>\n

\n

 <\/p>\n

 <\/p>\n

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