{"id":11122,"date":"2026-10-12T14:55:50","date_gmt":"2026-10-12T14:55:50","guid":{"rendered":"https:\/\/soundimageculture.org\/collective-session-november-2026\/"},"modified":"2026-10-15T15:25:10","modified_gmt":"2026-10-15T15:25:10","slug":"collective-session-november-2026","status":"publish","type":"post","link":"https:\/\/soundimageculture.org\/nl\/collective-session-november-2026\/","title":{"rendered":"Collective Session November 2026"},"content":{"rendered":"\n

2\u20146 NOVEMBER 2026
WITH SASHA LITVINTSEVA
at Escale du Nord (Anderlecht)<\/h1>\n\n\n

About Sasha Litvintseva<\/h2>

Sasha Litvintseva is an artist, filmmaker and writer. She has directed and co-directed twelve short and medium length films, including a recent trilogy with frequent collaborator Beny Wagner, that have screened at festivals worldwide including at the Berlinale, IFFR Rotterdam, Cinema du Reel, and won numerous awards including at IndieLisboa, Guanajuato Film Festival, CPH:DOX. Her films have also been presented at major art institutions including Tate Modern, Baltic Triennial, Seoul Mediacity Biennale, been subject of focus and retrospective screenings at more than fifteen venues worldwide including Courtisane Festival, Union Docs NY, Los Angeles Filmforum, and been featured in\u00a0publications including Cahiers du Cinema, Sight & Sound, Filmmaker Magazine. She holds a BA in Fine Art from the Slade School of Art, a PhD in Media, Communications and Cultural Studies from Goldsmiths, and teaches filmmaking at Queen Mary University of London.<\/p>\n<\/div><\/section>\n\n

Monday 2 & Tuesday 3 November 2026 (9:30\u201418:30)<\/h2>
\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/10\/CS-SIC.jpg\"<\/div>

Collective Feedback Session
\nWorks in Progress SIC Participants
\nat Escale du Nord, Anderlecht<\/span><\/span><\/p>\n

Two collective feedback days dedicated to reflecting on SIC participants\u2019 projects, sharing perspectives and supporting each filmmaker\u2019s creative process.<\/p>\n

In the presence of Sasha Litvintseva<\/p>\n

Free admission; registration needed (see practical information below)<\/em><\/p>\n<\/div><\/div><\/section>\n\n

Wednesday 4 November (10:00\u201417:00)<\/h2>
\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/10\/Athanasius-Kirchers-Magic-Lantern.jpg\"<\/div>

Masterclass by Sasha Litvintseva:
\nCinema and the Unseen<\/b>
\nat Escale du Nord, Anderlecht<\/p>\n

There are several ways to think of the invisible. There are those things that are too small or too far, too vast or too fast to be perceived by the naked eye, but which have become knowable through the history of the invention of optical apparatuses. There are also those things that are invisible in the sense of otherworldly: ghosts, spirits, shades and other spectral beings that haunt our bodies and spaces. In this masterclass we will explore the ways in which the moving image medium has a deep and inextricable relationship to both.<\/p>\n

More information<\/a><\/p>\n<\/div><\/div><\/section>\n\n

Wednesday 4 November (19:00)<\/h2>
\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/10\/Les-recommencements-Isabelle-Ingold-Vivianne-Perelmuter_4.jpg\"<\/div>

Screening + Q&A:
\nNew Beginnings<\/strong>
\nby Vivianne Perelmuter and Isabelle Ingold
\nat Cin\u00e9Flagey (Tickets via Flagey)<\/p>\n

In the presence of the directors<\/p>\n

Vietnam War veteran Al Moon lives alone on his tribe\u2019s land in Northern California. As violence and environmental destruction bear down on the reservation, old anxieties resurface, pushing Al to hit the road to confront what haunts him and reconnect with the men from his battalion. Each encounter along the way reveals a divided country grappling with its own wounds\u2014a troubling reflection of his inner turmoil. \u00ab The past clings, especially when you try to run from it \u00bb, Al reflects. He chooses to face it head-on, hoping to finally glimpse other possibilities.<\/p>\n

The film won the Grand Prix at the last edition of Festival En Ville.<\/p>\n

Buy your tickets directly via Flagey.<\/p>\n<\/div><\/div><\/section>\n\n

Thursday 5 November (10:00-13:00)<\/h2>
\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2024\/09\/Karina-Beumer_web-2000x1230.jpg\"<\/div>

Production Workshop
\nwith Javier Packer Comyn (Director CBA)
\nat \u00a0Escale du Nord, Anderlecht<\/p>\n

\n
\n

Producing independent films from a producer point of view: What is it like? What are the realities of a producer? When should I sign my contract and what to argue on? Is he \/ she over-making profit on my project? What is a fair percentage? How to chose the right producer? How not end up hating each other? Can I trust him \/ her? Sharing experiences and thoughts about the crucial relationship between producer and director, in order to make great films together.<\/p>\n<\/div>\n<\/section>\n

Free event; registration needed (see practical information below)<\/em><\/p>\n<\/div><\/div><\/section>\n\n

Thursday 5 November (14:00-17:00)<\/h2>
\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/10\/word-movie.webp\"<\/div>

Workshop by Jan De Coster
\nReading Images<\/strong>
\nWhen words enter the frame
\nat Escale du Nord, Anderlecht<\/p>\n

Led by film editor and SIC coach Jan De Coster, this workshop explores the many ways written text appears on screen, from subtitles and intertitles to words embedded within images. Through a selection of film examples, it examines how text interacts with moving images and transforms the cinematic experience.<\/p>\n

More information<\/a><\/p>\n<\/div><\/div><\/section>\n\n

Friday 6 November (19:00)<\/h2>
\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2026\/10\/Mea-Culpa.jpg\"<\/div>

Screening + Q&A:
\nMea Culpa<\/strong>
\nby Patrick Tass
\nat Escale du Nord, Anderlecht<\/p>\n

In the presence of the director<\/p>\n

Lies and guilt are at the core of Patrick\u2019s relationship with his mother Randa. Over the years, he has collected their audio messages and video calls, which transform into a portrait of her life in Lebanon and his own in Belgium. This very intimate yet social piece reveals a complex relationship marked by the distance between the two characters, and shows what one may experience as a homosexual migrant. By turns moving, provocative and hilarious, Mea Culpa<\/em> questions the links between national and sexual identities for a young Palestinian migrant.<\/p>\n

Free admission; registration needed (see practical information below)<\/em><\/p>\n<\/div><\/div><\/section>\n\n

Practical Information<\/h2>

Dates: Monday 2 \u2014 Friday 6 November
\nTimes: see events
\nVenue: Escale du Nord, Avenue de Scheut 147, 1070 Anderlecht<\/p>\n

Tickets are free*, on registration only (limited space).
\nIf you want to attend, please email us at soundimageculture@gmail.com<\/p>\n

*with the exception of the screening of NEW BEGINNINGS (4\/11, Flagey)<\/p>\n<\/div><\/section>","protected":false},"excerpt":{"rendered":"

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