{"id":7295,"date":"2023-08-30T08:47:19","date_gmt":"2023-08-30T08:47:19","guid":{"rendered":"https:\/\/soundimageculture.org\/team\/jan-de-coster\/"},"modified":"2023-08-30T08:47:19","modified_gmt":"2023-08-30T08:47:19","slug":"jan-de-coster","status":"publish","type":"team","link":"https:\/\/soundimageculture.org\/nl\/team\/jan-de-coster\/","title":{"rendered":"Jan De Coster"},"content":{"rendered":"<section id=\"sic-regular-text-block_5eeb5b7fa121b1e0c1ca6a73abe2346e\" class=\"sic-regular-text two-columns intro-text\"><div class=\"content-wrapper\"><p style=\"font-weight: 400;\">Jan De Coster graduated as a director from the film school Ritcs, and post-graduate in Cultural Studies at Vrije Universiteit Brussel. He wrote and directed the short films <em>Los Hervideros<\/em>\u00a0and\u00a0<em>The Thread<\/em>, which won an award at the Locarno festival. He mainly works as an editor on documentary films, experimental films and video installations, as well as (short) fiction films.<br \/>\nAmong others, he collaborated with Renzo Martens on his films\u00a0<em>Enjoy Poverty<\/em>\u00a0(2008) and\u00a0<em>White Cube\u00a0<\/em>(2020). He participated as editor on fiction films like\u00a0<em>Bodkin Ras<\/em>\u00a0by Kaweh Modiri,\u00a0<em>The Chinese Dog<\/em>\u00a0(short) by Lut Vandekeybus and\u00a0<em>Tvano Nebus<\/em> by Marat Sargsyan. He worked with artists like Sara Vanhee (<em>On Justice)<\/em>\u00a0and Edurne Rubio\u00a0(<em>Ojo Guare\u00f1a). <\/em>Since 2013 he has been a tutor at KASK filmschool (Ghent).<br \/>\n<em>&gt;&gt; <a href=\"https:\/\/www.linkedin.com\/in\/jan-de-coster-222a455\">LinkedIn &#8211; Jan De Coster<\/a><\/em><\/p>\n<\/div><\/section>\n\n<section id=\"sic-pullquote-block_4d665807c49cc917e53c7bc9fdfa7ffe\" class=\"sic-pullquote\"><div class=pullquote-content-wrapper><blockquote>\u201cDealing with film became a subtle balancing act. It certainly didn\u2019t suffice that films propagated a proper conviction or that they looked beautiful, but it sufficed that they vibrated with life to qualify for admiration. The touchstone was not originality (when film becomes art), but rather an intuition about the irrefutable accuracy that had placed the images on the screen, that had positioned the images vis-\u00e0-vis the world. It did not matter that others felt this accuracy where you didn\u2019t see it. It was about the category.\u201d<p class=pullquote-name>Dirk Lauwaert<\/p><\/blockquote><\/div><\/section>\n\n<section id=\"sic-regular-text-block_80a829ba7ba8a5730a8c6f02379bd4db\" class=\"sic-regular-text two-columns\"><h2 class=\"section-title page-title\">(Selection of) Works<\/h2><div class=\"content-wrapper\"><p style=\"font-weight: 400;\"><strong>Walter H<\/strong><strong>us, a musical journey<\/strong>\u00a0(2021)<br \/>\nDocumentary, directed by Astrid Mertens<br \/>\nEdited by Jan De Coster<br \/>\nVelvet Films<\/p>\n<p style=\"font-weight: 400;\"><strong>Tvano Nebus<\/strong>\u00a0(2020)<br \/>\nFeature film, directed by Marat Sargsyan<br \/>\nEdited by Ieva Veiveryt\u0117 and Jan De Coster<br \/>\nTremora<\/p>\n<p style=\"font-weight: 400;\"><strong>Ojo Guare\u00f1<\/strong><strong>a<\/strong>\u00a0(2018)<br \/>\nDocumentary, directed by\u00a0Edurne Rubio<br \/>\nEdited by Edurne Rubio and Jan De Coster<br \/>\nArgos<\/p>\n<p style=\"font-weight: 400;\"><strong>On Air<\/strong>\u00a0(2017)<br \/>\nDocumentary, directed by Manno Lanssens<br \/>\nEdited by Jan De Coster<br \/>\nSerendipity Films<\/p>\n<p style=\"font-weight: 400;\"><strong>The Invisible Cit<\/strong><strong>y<\/strong>\u00a0(Kakuma) (2016)<br \/>\nDocumentary, directed by Lieven Corthouts<br \/>\nEdited by Jan De Coster<br \/>\nCassette for Timescapes<\/p>\n<p style=\"font-weight: 400;\"><strong>Bodkin Ras<\/strong> (2015)<br \/>\nFeature film directed by Kaweh Modiri<br \/>\nEdited by Jan De Coster<br \/>\nRevolver Films \/ Inti Films<\/p>\n<p style=\"font-weight: 400;\"><strong>Enjoy Poverty<\/strong>\u00a0(2008)<br \/>\nDocumentary, directed by Renzo Martens<br \/>\nEdited by Jan De Coster<br \/>\nInti Films<\/p>\n<p style=\"font-weight: 400;\"><strong>Los Hervideros<\/strong>\u00a0(2006)<br \/>\nShort fiction film written, directed and edited by Jan De Coster<br \/>\nInti Films<\/p>\n<p style=\"font-weight: 400;\"><strong>The Thread<\/strong>\u00a0(2000)<br \/>\nShort fiction film written by Jan De Coster<br \/>\nDirected by Lieven Van Baelen and Jan De Coster<br \/>\nSheep Productions<\/p>\n<\/div><\/section>\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<section id=\"sic-pullquote-block_607222341c401c826e8c0e90c51c7b17\" class=\"sic-pullquote\"><div class=pullquote-content-wrapper><blockquote>\u201cLorsqu\u2019on vient d\u2019entendre un morceau de Mozart, le silence qui lui succ\u00e8de est encore de lui.\u201d<p class=pullquote-name>Sacha Guitry<\/p><\/blockquote><\/div><\/section>\n\n<section id=\"sic-slider-block_51a2bb86bbc3a143fe05e661fb4cda1c\" class=\"sic-slider count-2\"><div class=content-wrapper><ul class=\"slider workaround\"><li class=\"slider-image-wrapper slide\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/Walter-Hus-691x1024.jpg\" width=\"691\" height=\"1024\" alt=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/Walter-Hus.jpg\"><\/li><li class=\"slider-image-wrapper slide\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/Bodkin-Ras.jpg\" width=\"678\" height=\"966\" alt=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/Bodkin-Ras.jpg\"><\/li><li class=\"slider-image-wrapper slide\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/EnjoyPoverty-723x1024.jpg\" width=\"723\" height=\"1024\" alt=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/EnjoyPoverty.jpg\"><\/li><li class=\"slider-image-wrapper slide\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/Kakuma-683x1024.jpg\" width=\"683\" height=\"1024\" alt=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/Kakuma.jpg\"><\/li><li class=\"slider-image-wrapper slide\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/tvano-nebus-732x1024.jpg\" width=\"732\" height=\"1024\" alt=\"https:\/\/soundimageculture.org\/wp-content\/uploads\/2023\/08\/tvano-nebus.jpg\"><\/li><\/ul><\/div><\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":7297,"template":"","class_list":["post-7295","team","type-team","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jan De Coster &#8211; 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